Margaret Sanger: A Public Nuisance

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.

Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.

Moi, agricultrice

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

Summer of revolution

The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.

Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.

Terrified of stories of girls bleeding to death, young Tanzanian children face a terrible choice: whether to submit to female genital mutilation and child marriage, or risk their lives and run away from home. Rhobi Samwelly, a brave local hero, stands up to her community and provides a Safe House to protect the courageous girls. Although female genital mutilation (FGM) is harmful and illegal, in Northern Tanzania it is widely believed that girls' clitorises must be cut off to reduce promiscuity. Mutilated girls also demand twice the bride price as uncut girls. The chillingly named 'cutting season' runs through the school holidays in December. Now, some of the most courageous girls in the world, some as young as eight, are leaving everyone they love behind to run to a Safe House, not knowing if they'll ever see their families again.

Now that contraception is controlled by women, men seem to experience carefree sexual freedom. In reality, they lose autonomy over their own seed. Director Lynn Deen started the film out of frustration: Why was the woman always the one to carry the burden that comes with lust? Gradually she saw that this luxury position actually places men in a dangerous position of dependence. They have virtually no control over both the prevention and the termination of a pregnancy. That is why they should be more involved in preventing pregnancy. Not only for women, but especially for themselves.

Filmed over the summer festival season, Stacey Lee’s uplifting documentary examines gender inequality in the electronic dance music scene.

The struggle to pass the 1967 Abortion Act and its continued ramifications to the present day. Featuring never before broadcast interviews with women who had backstreet abortions, those in the medical profession on both sides of the debate, and the politicians and campaigners who were at the forefront of the law on illegal abortion being changed.

A group of women and non-binary journalists, bucking the white male status quo, launch The 19th*—a digital news startup that asks who has been omitted from mainstream coverage and how they can be included.

The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.

In an era of antifeminist backlash, this articulate documentary by the makers of Thank God I’m a Lesbian forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. Anessential component of women’s studies curricula, My Feminism introduces feminism’s key themeswhile exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.

Tahirih Qurrat al-Ayn was first Iranian women right activist, Bab-i fighter ,theologian,poet. Tahirih was a woman of letters who lived in the nineteenth-century. Her name is synonymous with the emancipation of women and social justice and her life has inspired generations of women ever since, particularly Iranian women’s right movements.Since 1979, the Islamic Republic of Iran forbids any literature or discourse that portrays Tahirih in a positive light. Her name has been removed from the latest editions of history books published in Iran.

To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.

This documentary portrays the way in which attacks against a twisted concept of “gender ideology” in four countries are being used to gain political power by right-wing conservative politicians supported by conservatives in the Catholic and evangelical churches.

When her husband died Soumicha, mother of three, had to earn a living. She became the only woman taxi driver in Sidi Bel-Abbès, Algeria. This film accompanies Soumicha around a city where religious and political violence rages, and records her experiences in a job normally reserved for men.

Nepal's Civil War ended in 2006, but not for Devi; rebel warrior, mother and sexual violence survivor. As those in power try to erase rape from the history of the war, Devi has to battle her own demons before she can begin to build a movement to fight for justice.

Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.