Birthright: A War Story

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

Les enfants de Pétain

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

In the Arab world, women are fighting a two-front war against repressive internal constraints and intrusive Western interference. In this program, a feminist delegation composed of author Nawal Saadawi and other renowned activists from the Middle East and North Africa gathers at the UN, on college campuses, and in church basements to speak out about deterioration of women's rights in the Arab states in an effort to heighten awareness of the Arab feminist struggle for equality--and the effects of U.S. foreign policy on their efforts.

June 2020, Corona, one year after the national women's strike. Six directors dive into the everyday life of six women and explore what it means to be a woman in today's Switzerland.

Summer of revolution

Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.

Nanny, cook or sex slave. For a long time, the mistaken belief that the women in the terrorist organization Islamic State were condemned to blind obedience was held up. But appearances are deceptive. Some of them join the terrorist militia of their own free will. They are fully integrated into the system: they torture with unscrupulous cruelty and actively fight alongside their men. Today, the Caliphate's capitals lie in ruins. Nevertheless, many of the women have stayed and are trying to leave behind memories full of pain and shame. Thomas Dandois gives them a voice.

Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.

Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.

This film exposes the daily humiliation regularly faced by women in U.S. prisons using firsthand accounts of inmates at the North Carolina Correctional Center for Women and the Correctional Institute for Women at Riker's Island, New York.

Juxtaposing scenes from the 1967 Royal Commission on the Status of Women with the 2nd Pan-Canadian Young Feminist Gathering in 2011 in Winnipeg, organized by the rebELLEs movement, the film explores the progress made on concerns raised 45 years ago: universal childcare, violence against women, and abortion access.

From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.

Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.

For a long time, the Bonn Republic was a smoke-filled place with heavy leather armchairs occupied by old men. Women were largely excluded from the “men’s sport” of politics. In *THE UNYIELDING*, the leading female politicians of that era now recount how they fought for a voice and power in the face of all opposition—throughout, and indeed especially during, the major crises and debates of the Bonn Republic. “Women, if we do nothing today, we will live tomorrow as we did the day before yesterday.” Annemirl Bauer, 1988

Sparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry riddled with discrimination and misogyny. Every year, the gaming community grows increasingly diverse. This has led to a clash of values and women are receiving the brunt of the consequences every day, with acts of harassment ranging from name calling to death threats. Through interviews with video game creators, journalists, and academics, GTFO paints a complex picture of the video game industry, while revealing the systemic and human motivations behind acts of harassment. GTFO begins the conversation that will shape the future of the video game world.

Why don't we tell stories about pain? Are they too intimate, chaotic, "feminine"? Womb+ is a collective testimony about life with endometriosis and chronic pain that does not fit into reproductive rhetoric or the patriarchal concept of the body. This film was created as part of the My Street Films 2025 workshop under the guidance of Tereza Reichová.

Motherhood: a subject so deeply ingrained in our society, we take it for granted as part of the natural order. It's assumed all women want children, that motherhood is not only a biological imperative but the defining measure of womanhood. Titled after one of the myths it challenges, this film draws upon a heady mix of culture, science, and history–revealing the rich and diverse lives of people who said no to children, and the forces that have marginalized them in society.