Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.
A film about death and memory. A long farewell. A killer takes the life of a poor writer in the morning. Then they go through a journey consisting of a boy, a woman, watches, oranges, roses and old bicycles. At the end of that night, he realizes that the person who was once loved will never leave ......
Yang Xin dropped out of school and returned to his hometown, but felt uncomfortable with the popular culture represented by live broadcast/ Douyin culture gradually becoming the mainstream of society. I wanted to return to my familiar hometown to find a sense of identity, but found that my hometown is no longer the same as in the past. The social atmosphere of my hometown and my own memories are all different. The only similarity that can be found is the river in the hometown, but the river that has been flowing has maintained its original consistency.
Liu Ziying was imprisoned three years ago for drug trafficking. He performed well in prison and had a high cultural quality. He was arranged to write a suicide note to the death penalty inmates. Before he was released from prison, Xu Xiaolong, the death penalty prisoner, wanted Liu Ziying to write a suicide note to him and told him that if he helped him fulfil his will, he would give Liu Ziying a sum of money. After Liu Ziying was released from prison, he acquired money by helping the death penalty prisoners fulfil their will. After tasting the sweetness, he embarked on a road of self-redemption.
Danielle, a vibrant young woman is forced into servitude after the death of her father when she was a young girl. Danielle's stepmother Rodmilla is a heartless woman who forces Danielle to do the cooking and cleaning, while she tries to marry off the eldest of her two daughters to the prince. But Danielle's life takes a wonderful turn when, under the guise of a visiting royal, she meets the charming Prince Henry.
On a rainy day, Zhang Xin, a filmmaker who suffers from obsession deeply, comes across a strange girl, carrying a durian. He can’t help but walk towards her. This beautiful bubble breaks once the girl turns out to be the reflection of the obsession.
A poet's rhapsody of doom.
This film describes a wandering young man who experiences the alternation of reality and dream mirror after regretting the loss of his beloved. Finally, he successfully understands the root of pain, accepts the reality and obtains salvation.
The C-list TV actor Jonnie Zhang decides to change career as an estate agent. While preparing for the interview, he hires a cleaner to tidy up his long non-visited mansion. A cleaner receives a task to a vacant house, and she decides to stay over night realizing that the bus service has been suspended. Out of every clue hidden in the house, she fantasizes its whole family and secrets, along with her own previous life she comes across.
If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.
The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.
The frustrated painter decided to burn his failed paintings. Unexpectedly, when the paintings burned down, they turned into paper cranes and returned to his memory. As memories shuttled, the painter wanted to recover the waste paper again, but it was too late.
Liang Yan is a freelance writer living in Beijing. He went to a house church to experience the atmosphere of fellowship. A girl accidentally unmasked his behavior, and he became more and more interested in this girl. At the same time, he participated in a book launch for the poetess named Ma Yan. Ma Yan's poem reminded him of a former friend named ChunTian. The contact with ChunTian made Liang Yan immersed in the memories of the past. When he emerged from the surface of reality, he found that all these things were just a few words in the poem.
Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.
Two friends reconnect at their childhood haunts in the heartlands. As the night lengthens, their conversations draw out their sense of entrapment within the city, and how far removed their present selves have become from fleeting childhood aspirations.
A young Chinese couple struggles to adapt to their new home and grows increasingly estranged from one another and from their surroundings.
What does marriage, love, intimacy mean? What should they be? Stella met his long lost lover by chance. He lived in a marriage maintained by lies and interests. Stella began to try to explore the possibility of a promising relationship with him. She questioned marriage and most hopeless relationships, but she was frustrated again and again in the process. Cast
Hypothesis Voyager is a road trip film that weaves social theory with a trip to the west of the United States.The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists' camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.
One day in June, a man appeared on the scene. He went on a blind date with a woman and a woman's man, yet for the meal, he used the carrots that his wife asked him to buy in the morning. He had nothing to do, wandering in romance and the opposite of romance, wandering between the authenticity and vanity of life, until, he made a decision: revitalize China.