Feminine Singular

Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.

Fabian builds his house on an old cart that he will pull himself, with the plan to walk to Serbia. But then it turns out that building the cart in itself is quite a journey. Will the cart ever leave it's place?

A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone

Adagio

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Bryan Wilmoth is the oldest of eight children who grew up in a very strict household. Eventually, all the siblings became estranged from their parents. At StoryCorps, Bryan told his brother mike about the day their father discovered that Bryan was gay.

Jacquelín is a forty year old single mother who decides to leave everything behind.

With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.

Early spring, 2022. Seventeen (or more) friends live through what they don't know will be a quick last few months of school, facing their final exams, closing activities, but more importantly the idea that they may never see each other again. Chapters I and II see the craziness mixed with the sense of possible loss of a friendship that surfaced quickly and may be fading all too soon.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

L'Ánimal Plus Étrange Du Monde

In these uncertain, ever evolving and changing times, inspiration and entertainment come from equally bizarre places. People long for togetherness and one thing that always brings out the best in experiencing something together, is food. But what happens when you twist around some of the core ideas of enjoying food, and what “a meal” even means? What if you have a bizarre curiosity to see someone eat really weird food combinations, and actually have someone provide you with that? What if what you’re looking for isn’t comfort and relaxation, but something that will make you question what your self-isolation mind finds as entertainment?

A group of people return to see the feast.

Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

The film focuses on an audition to select an actor that best interprets the role of Jesus, judged by a jury of Vatican members.

Ventana en Carrer de Badajoz

The 1968 version of Finger Poem. In it, VALIE EXPORT uses sign language in her performance, forming an alphabet with her fingers. This is a work that reflects her interest in semantic theories, her analysis of how language comes about and the images it uses, as well as the varying possibilities for articulation through body language or written or spoken language.