beer cans under my bed

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

A video project meant to highlight the human cost in Palestine.

When his wife sends him to rehab for his alcohol addiction without consent, Radha's world shatters, fuelling his desperate escape plan. Loneliness and estrangement from his family follow as he returns to his old ways.

Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.

From LUX: "Welsby adopts a system of camera movements to chart the movement of tides, waves and sky".

Eden

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.

"Soap Opera of a Frozen Filmmaker" project is a series of seven episodes of cinematic diaries. It is the unique point of view of an anonymous artist whose entire essence of existence is to make films, but he is rejected on every front time after time. During the process he ponders his life as an artist, the nature of material society and life in general, in which his owm life eventually become a tragedy.

Tu lembra?

Two layers of mesh overlap on the left. One rotates over the course of a day, its speed shifting gradually. On the right, a single mesh remains still. Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms. The sound drifts with the sky. Tremolo. Pulse.

Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.

hægtesse

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

An experimental short film about sensory seeking behaviour in childhood. Filmed on VHS.

The film intersperses carefully framed shots of unfamiliar Hamburg cityscapes with silent, close-ups of ballerinas from the Hamburg Ballet, images reminiscent of Andy Warhol’s “Screen Tests”.

A young actor recently hired for his first big production must balance his personal and professional life so that he can deliver his best performance yet.

Daily observations and reflections of the second year of living in a pandemic. Our lives are limited to visits to the local Windmill Hill City Farm where animals and humans seem to live in harmony. I came across articles and videos about horseshoe crabs and their amazing survival through centuries and their impact on our survival. The farm shuts down and reopens as the vaccines roll out. The horseshoe crabs are on the verge of being added to the endangered species list. Like the old Farsi rhyme that Jonah tries to learn, we are in a circle tightly entangled.

This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.