Discovering Electronic Music: Revised

In 1971 September met four young men in a garden in Gentofte. They wanted to make a band. And they soon found out that they could joke his way to one hit after another. A handful of years later had their playful approach made them Denmark's largest orchestra. But if success came easily to them, it was also their biggest problem. For besides they were hit by alcoholism and stage directing, they faced one overriding dilemma: Should they stick to the happy drengerøvs tone (young men who appear to be young, immature or inexperienced or who behave childishly), they had so much luck, or trying to become adults?

Best known as the inventor of the Moog synthesizer, Robert Moog was an American pioneer of electronic music, and shaped musical culture with some of the most inspiring electronic instruments ever created. This "compelling documentary portrait of a provocative, thoughtful and deeply sympathetic figure" (New York Times) peeks into the inventor's mind and the worldwide phenomenon he fomented.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Over the course of a fifty-year career, the British band The Cure has released fourteen highly successful studio albums; but it was their 1989 album Disintegration, released during a pivotal year for Europe and the world, that would capture the imagination of so many fans.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

In April 1989, in a liminal town near Mexico City, young teenager Violeta finds a way to bring her mother's synthesizers back to life with disastrous consequences for her and her father.

A musical documentary and tribute to Hugh Le Caine. The story of early electronic instruments, and the nearly forgotten Canadian music pioneer who created the first synthesizers. As told through interviews with three modern-day modular synth musicians.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

The rock-wild youth of the 1960s during the apparitions of their idols.

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.

Animated visual album for 16 tracks from Caribou's studio albums "Up In Flames" and "The Milk of Human Kindness"

Video album for Four Tet's album "Everything Ecstatic".

This new film approaches the world of French sound pioneer Éliane Radigue (*1932) from a perspective of close proximity. French filmmaker Eléonore Huisse and sound artist François J. Bonnet visit their friend Éliane’s home in Paris in times of social distancing and lockdown to explore questions pertaining to solitude, imagination, retreat, the inner voice and temporality – questions that resonate with Radigue’s work, philosophy and way of living as much as with the acute collective experience of suspension and isolation brought about by the ongoing COVID-19 pandemic.

: Music and its History

This concert film documents the debut Sydney solo shows of English singer, songwriter and multi-instrumentalist Thom Yorke, one of the most acclaimed musicians of his generation. Filmed against the iconic backdrop of the Sydney Opera House across two nights on the Forecourt in November 2024, this film covers all aspects of Yorke's career as a recording artist and Radiohead frontman, offering fans an intimate peek behind the curtain as he ties the many eclectic strands of his career together with his show-stopping falsetto and magnetic stage presence.

Jean-Michel Jarre unveils an immersive concert-show in the heart of Seville's sumptuous Plaza de España, transformed into an exceptional stage setting for one evening.

Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.

In "The New Gabbers" we follow three young gabbers in the run-up to hardcore festival Ground Zero in the Netherlands. The documentary paints a picture of the lively hardcore subculture through the personal stories of these 'new gabbers'.

Born in 1960 in Hagen, North Rhine-Westphalia, Nena, whose real name is Gabriele Susanne Kerner, grew up under the influence of a father who encouraged her from childhood to follow her instincts. As a teenager, she tried her hand at music. It wasn't long before a band was formed, The Stripes. 99 Luftballons, their second single, launched Nenamania in Germany and around the world.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?