EXILE

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Human, Tears, Art

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Experimental short film with some old video8 about the passage of time and how we perceive Memories

A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.

Torn between loyalty to her family, and her love for Jason, Medea attacks her father and flees with Jason to unknown lands. Her brother pursues them. When Jason betrays and abandons her, she is driven to the ultimate act of vengeful destruction.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A young woman is confronted with the conflict of growing up and pushed to her mental limits. Nothing seems to be working or going the way she thought it would. Her inner life is becoming more fragile. How long can she put up with this?

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

An experimental short film that follows a man who arrives home alone during the holidays after a long day of work. Finding himself consumed by his loneliness he looks for a way to escape.

Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.

The protagonist recalls her past while her daughter is going to leave her forever. Years ago, the protagonist came from a province to a big city to get rid of poverty. Marriage to a gangster didn’t make her happy. She fell in love with her husband’s accomplice and soon got pregnant. Murder seems the only solution to the lovers…

Shot entirely on a webcam and guided by the Imperfect Cinema philosophy, this film captures the drunken drift of a man reaching for connection in a cold, indifferent city. What unfolds is either a dream, a dying vision, or both. Then — reality returns with a quiet whimper. Life moves on. Raw, lo-fi, and unapologetically rough, this is a meditation on how easily the world forgets. Meaning is left open; interpretation belongs to the viewer.

The life and times of artist Richard Ellis

Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.

Claire is in an emotional and creative pause, until she finds her old projector and, with it, a way to reconnect with her childhood self.