X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
The hectic life of a modern city. Surreal animation by Jerzy Kalina
Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
Scroll paintings prepared like film strips with successive images.
3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.
Chamyto Tapes V1
Experimental short film by Oskar Fischinger
One morning, Papa transforms into a giant insect in the futon, emerges instantly in front of the astonished family, breaks through the window and flies into the sky. Short animation by Keita Kurosaka for MTV Japan.
MÜ : Architectures protéiformes
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
Chaotic poem read by a bimbo voice in cute piggery perfumed with poppers, the body loosen and is thinking about other possibilities of bottoming while deconstructing penetration, moving with fluids.
A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.
Roads fall into the sea and a travelogue breaks against the landscape.
Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.
An experimental short from Oskar Fischinger