While fleeing from an apocalyptic mist, Ana and Adam are forced to confront an eternal dilemma: to keep running or to cherish what's left.
The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.
Now the subjects of a despotic chief, far from having any favor to expect from him, as both themselves and all they have are his property, or at least are considered by him as such, are obliged to receive as a favor what he relinquishes to them of their own property. He does them justice when he strips them. He treats them with mercy when he suffers them to live. In a beautiful house, during a beautiful day, next to a library with no books, a table is set for the last supper of its inhabitants.
Le Syndrome des cœurs brisés – Takotsubo
A man, a Woman, and a Child meet, as strangers, inside a mysterious Georgian pub. With no information on their purpose of arrival, they get to know one another, resulting in a slow realisation that they aren’t together by chance, and that they may just be each other’s personal hell.
Her goldfish dead, her lover exposed as a rat, Shawn Holloway leaves her bank post and goes to the roof intent on suicide. Before she can leap, she's taken hostage by Charlie Anders, a fleeing bank robber. He and his partners have stolen a million in cash and plan to escape to Venezuela. Shawn agrees to cooperate if Charlie promises to kill her once he's in the clear. Parts of the plan go awry, so Charlie has time to try to pierce her bleak manner and self pity, and she has time for reflection. As night falls, their interlude ends: they're each alone, Charlie facing prison as the police close in, and Shawn staring down at a river from atop a high bridge.
The host of a children's television show aimed for creativity starts experiencing burnout after needing to force that creativity every day.
Die Ampel
A private all-girls boarding school is scandalized when one spiteful student accuses the two young women who run it of having a romantic relationship.
A girl is having an existential crisis alone at her house white she meditates about her condition
A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.
A director and his actress go to the Cannes Film Festival, looking for money to finance a movie they wrote. But an unexpected incident will disturb their quest…
The short film tells the story of a woman who was betrayed by the man she loved and lost her unborn child. The depressed woman arrives at a deserted beach, where she becomes a silent witness to the clarification of her life story.
After the disappearance of a young scientist on a business trip, his son and wife struggle to cope, only to make a bizarre discovery years later - one that may bring him home.
25-year-old Arghavan lives with her parents in Tehran, and intends to marry her fiancé, Hesam. One day, her short stories win her a grant to attend a writing workshop in Germany. Soon before she is to leave, however, Arghavan is abducted and raped. In a strict, conservative society where young women are expected to be virgins before marriage, this is a social catastrophe. Plagued by gossip and finding little solace, Arghavan's life begins turning into a nightmare.
Kadın ve Şehir
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
The Feminine and Masculine personalities of a man begin to argue about the former coming out, forcing the latter to be more vulnerable about who they are and where they stand.
The film portrays the isolated life caused by the pandemic in 2019. The difficulties of home life became more evident in this period. The most obvious of these hardships was the existential crisis. Because individuals tried to find their identities again. In this short film, I explain that the search for identity occurs when one goes out of societal restrictions, both internally and externally.
In their finely appointed Connecticut home, Agnes and Tobias have grown used to the imperfection and fragility of their marriage. Quietly nursing their grief over the death of their son, they get by well enough together. Agnes' boozy sister wanders in and out, and they allow anxiety-stricken friends to move into an upstairs room. But, when their daughter, Julia, shows up announcing her fourth divorce, long-repressed emotions come to the surface.