Nothing is 100 Percent

A wandering suit man finds love, but that’s not his true desire. Through a seductive encounter, he begins to reveal his own identity and delusions surrounding him.

Two kids' friendship is tested in a game of cards as a mysterious figure watches them from outside.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

A curator at a high-profile art gallery finds herself drawn to a young, polyamorous artist who introduces her to a lifestyle that reflects a part of herself she had once abandoned.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

By confronting the devastating truth of fatal violence against women, this experimental dance short shifts focus from passive victimhood to the strength and power of resilience.

Two children are directed by a cinemaker.

An introverted girl struggles to form connections through a strange social media site.

A perspective on everyday things.

Two people attempt to connect over a great distance.

This experimental short film follows a used car salesman... or a politician... or a man painting a toilet red.

A man tormented by his shadow gets tired of feeling bad.

Cochlea

Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

L'Image de la culture

A woman strolls through nature, embraces trees, and enjoys stunning views. She dances around a large tree, then suddenly falls into darkness, wakes up in a completely different setting, and wonders if she was dreaming or if this is her dream.

The journey of a boy accepting that his lover is gone

LIFE

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?