Labor rhythms of Checheno-Ingushetia

Film about the singing and dancing culture of the Ingush people

Documentary film about ethnic cleansing in the Prigorodny district in October-November 1992.

A feature documentary presented and directed by former Royal Marines Commando Emile Ghessen. The documentary tells the story of the 2020 war between Armenia and Azerbaijan over the disputed region of Nagorno Karabakh. In the fall of 2020, Armenia and Azerbaijan fought a brutal bloody war. Azerbaijan won, decisively. The feature documentary 45 Days: The Fight for a Nation tells the story of this conflict, from the Armenian perspective, focusing on the human cost of war and its impact on the large Armenian diaspora.

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

In the capital of Ingushetia, at the memorial, there is a carriage. This is a carriage from the 40s, a carriage of memory. One of those in which the Ingush were transported back in 1944 to Kazakhstan and Central Asia. February 23 is the day when the whole country celebrates Defender of the Fatherland Day; mourning takes place in Ingushetia. And on this day, the old people gathered in this carriage to remember and tell each other how it was.

Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century

The film is dedicated to the ethnogenesis of a small people, preserving their traditions and language, the Udi people

Documentary film about Ordzhonikidze (now Vladikavkaz)

As Russian tanks advance over the plains of Chechnya, a group of Russian mothers search for the sons, conscripts from the ill-fated 131st Brigade, they believe have been captured by the Chechens. They place their trust in Colonel Kosov, a Russian liaison officer responsible for organising prisoner exchanges across the front line.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

Be well, Caucasian gray!

Prémonition

Alexander Nevzorov's documentary of the storming of Grozny in 1994-95

Documentary of the Second Chechen War, centered on the work of war journalist Andrei Babitsky..

An auteur-director who wishes to make a documentary about Armenia imagines a fictitious character that has the ability to travel through bodies. The latter will alternatively embody: a young farmer that dreams to flee from the countryside to more urban spheres, a prostitute who is a survivor of rape, a narcissistic client, a fallen artist and finally, a resisting deserter.

Kadyrov, The Dictator of Chechnya

“While shooting my feature documentary film, Memory, in April of 2021 in Grozny, Chechnya (the birthplace of my mother and where I grew up), I felt the influence of the gigantic portraits of Putin, Kadyrov Senior and Kadyrov Junior all over the city. They observed me from everywhere. In parallel to the production of the film, we set out to capture the feeling of totalitarianism that these portraits conveyed. We got up at 4 in the morning and shot through the window of a car because such actions put us under threat of persecution. We understood that we were documenting the time of the birth of fascism in Russia.” Vladlena Sandu

Short documentary about Russian special forces during the Third Battle of Grozny during the First Chechen War