Kadyrov, The Dictator of Chechnya

Margarita Mamun, an elite Russian rhythmic gymnast, is struggling to become an Olympic champion. It is the most important year of her career and her last chance to achieve the ultimate goal, the gold Olympic medal. The film creates a captivating portrait of a young woman who is desperately trying to handle her own ambitions and meet the expectations of the official Russian training system.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.

Who is Kim Yo-jong? In a context of maximum tensions between North Korea and the United States, Pierre Haski paints an unprecedented portrait of the little sister of Kim Jong-un, whose influence in Pyongyang is growing stronger day by day.

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

A short documentary about the making of "The Great Dictator."

Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

Four lucid grandmothers tell their story forgotten by history: the militancy and resistance of the young women of the leftist youth against the dictatorship of Marcos Pérez Jiménez.

They call themselves Fancy Bear, Cozy Bear or Voodoo Bear. Elite units of the Russian secret services are hidden behind these code names. They are among the most dangerous hackers in the world. The bears were already in the computer of then-Chancellor Angela Merkel in 2015, interfered in the US election campaign in 2016 and are currently influencing the war in Ukraine. The makers of the successful YouTube channel “Simplicissimus” in co-production with funk and SWR are back and show the destructive potential of state hacking with this documentary. With the help of leading German hackers, cyberspace experts and a lot of humor, they delicately demystify the Russian bears: Who are the people behind them? How do they operate? And what makes them so incredibly dangerous?

A candid, fly-on-the-wall BBC television documentary portrait of Russian Nationalist politician, Vladimir Zhirinovsky. The film shows the leader on a cruise surrounded by two hundred supporters getting plenty of media attention in New York. We are left with the nagging question: to what extent is Zhirinovsky really dangerous? To take that further, to what extent are populist politicians truly dangerous?

As his country is gripped by revolution and war, a Ukrainian victim of the Chornobyl nuclear disaster discovers a dark secret and must decide whether to risk his life and play his part in the revolution by revealing it.

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

Filmmaker Barbet Schroeder shows the Ugandan dictator meeting his Cabinet, reviewing his troops, explaining his ideology.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

A recording of Horowitz's historic 1986 recital in Moscow, the program also includes highlights of his return to his native Soviet Union--his first visit in 61 years.

Russia as you have never seen before: from the bird's eye view. From Kaliningrad, to the Bering Strait, from the Icebreakers on the Polar Sea to the antelopes in the Kalmykia steppes, from the Caucasus peaks to the volcanoes of Kamchatka.

Florian Hartung and Dirk Pohlmann have reconstructed a previously unknown dimension of the collaboration between Nazis and the CIA in the Cold War. Drawing upon recently released documents, the film exposes for the first time a perfidious, worldwide net that reaches deep into the power structures of the Federal Republic of Germany. Lending their authority to the fact-finders’ mission are high-ranking statesmen, journalists and historians.

In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military. He films the training of new recruits in Siberia, as they bid farewell to their mothers and girlfriends, learn the mechanics of a Kalashnikov, or how to throw a hand grenade and administer first aid. While his parents try to cope with their loss, Dima’s former fellow recruits have to return to battle.