13. Parteitag der Liberal-Demokratischen Partei Deutschlands, Weimar 1982

The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.

Various people from the GDR describe their lives and their work for the socialist society. Because everyone fulfills an important task in the society.

This documentary tells the story of the brilliant Italian polymath, artist, sculptor, painter, poet, musician, writer, philosopher, scientist, botanist, geologist, cartographer, mathematician, anatomist, paleontologist, architect, urban planner, engineer, and inventor. The legacy of the brilliant Leonardo (1452-1519) to the world came in many forms: in the breathtaking beauty of The Last Supper and The Mona Lisa; in his rich collection of engravings; and in his notes on original thoughts on astronomy, biology, and physiology.

A pro-Republican propaganda documentary made during the Spanish Civil War. It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

A portrait of a traveling circus.

Short documentary about social and economic situation in Galicia (Spain) in 1936

Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.

Presos del silencio

The portrait of a young bakery worker in Swabia. A vague desire for something else lurks between her sentences and the images of her everyday life.

A report on the Film Academy in Ulm, Germany

Cautivos en la arena

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

Barcelona. Ritmo de un día

Life on the breadline in the 1930s was hard enough, but times were desperate when you fell beneath it. Hunger marches organised by the National Unemployed Workers' Movement drew attention to the cause, but this left-wing collective picked up a cine-camera. The fictional story at the heart of the film is somewhat melodramatic, but the authentic surroundings give its message realism and weight.

"In order to preserve all our achievements for posterity it is necessary to resort to the aid of the motion picture, which will be a great contribution to the immortalization of our art. The years are passing by, and we hope that our achievements, registered on film, will aid future generations to learn and perfect themselves. In the not too distant future our first experience in this field will be shown to a wide public: pictures of the methodology of classical ballet at the Moscow and Leningrad Ballet Schools. This film will be a scientific aid in outlying districts as well." - Agrippina Vaganova

Gitanos sin romancero

Fritz Lang, le cercle du destin - Les films allemands

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.