Short film about performance, realized when Nam June Paik participated in Karlheinz Stockhausen's piece "Originale" in Cologne in 1961.
Various people from the GDR describe their lives and their work for the socialist society. Because everyone fulfills an important task in the society.
Dialogue-free short detailing the daily tasks of a man and his wife.
GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin
L'album de famille de Jean Renoir
At the beginning of 2020 and for more than two years, at least four agents of the National Police Corps infiltrated various social movements in the Catalan Countries. They are part of the 33rd promotion of the Ávila Police School and act under the orders of the General Information Police Station. The documentary exposes the modus operandi and patterns of the police officers and reveals some of the mistakes that were key to discovering them.
Children get ready to start the first grade. They start learning the first letters.
Filmmakers of Our Time: François Truffaut or the Critical Spirit
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.
Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
A documentary portrait of Calcutta
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.
A pro-Republican propaganda documentary made during the Spanish Civil War. It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.
Short documentary about social and economic situation in Galicia (Spain) in 1936
Using variations of color and light, this is a method that I attempted to translate how I feel for a special someone on her special day.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Achtung Australien! Achtung Asien!