The twenty-minute film, divided into two parts, is made up of old newsreels and scenes recorded on the Budapest metro. The filmmaker places the celluloid tape, which is attached to the camera, on the trick table, examines the frames meticulously and cuts out individual details. The archival images are put into different contexts by different interventions.
A disorienting task to the viewer of reevaluating their relationship with the screen. Is it reality, or is it illusion? Is it narrative, or pure sensation? It's not about pushing boundaries it annihilates them.
Belle is processing her toxic relationship and coming to terms with the need to end it. The closer she gets to closure, the more the world around Belle starts to break down - literally and abstractly. Can she come out the other side?
An Imperial Message is a 1975 Hungarian experimental film directed by László Najmányi. The 'story' was based on Franz Kafka's short story Eine kaiserliche Botschaft.
In the whimsical Dreamworks (1983), a narrator recites a parody of Freud that analyzes the dreams of cats against abstract images that seem to represent those dreams and shots from a cat’s point of view, moving about a room close to the floor.
On the verge of losing her sense of self, a young woman trapped in an abusive relationship must summon the strength to break free, symbolized by the shattering of a neglected fishbowl, or risk being consumed by her captivity.
Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.
Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.
The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.
In SUNSPOTS, several 16mm shots of the sun are layered and superimposed, paired with a soundscape consisting of volcanos, fire, plastic and the audible solar sounds recorded by the Solar and Heliospheric Observatory (SOHO).
A young man is visited by a ghost who claims to be an old Hollywood actress. Believing her, the young man appreciates her company and is happy to attend to all her requests. Will he be able to please this ghost?
Drawn again from footage shot in the Torrance Public Library parking lot, Introduction to Crack Sealing 3 remixes material from the first two films into a new visual texture. Where the earlier works traced and fractured the asphalt lines, this version overlays them through double exposures that randomly overlap and fade in and out. The result is a shifting, layered surface in which gestures collide, blur, and dissolve, creating a cracked field of inscription.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Shot in downtown Minneapolis, Rush Light assembles a rapid montage of fleeting street compositions. Through quick cuts and sudden shifts, Devereaux creates a collage of ready-made visual moments—buildings, signs, shadows, and chance alignments glimpsed in passing. The film operates as both a study of three-dimensional space and a meditation on the eye’s ability to seize upon images in a split second. Color, light, and shadow flicker across the frame, transforming the city into a shifting field of accidental design.
A chronicle of the lives of a couple and the gradual dissolution of their relationship.
Otto Betulle
A silent film mourning the death of Analog television.
Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.