Experimental short film visualising the musical piece titled "An Ending (Ascent)" composed by Brian Eno. The film was nominated for the national award in the experimental category at the 11th Annual Student Film Awards (1984) organised by the Academy of Motion Pictures, Arts and Sciences USA.
Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.
an abstract short film about a boy left alone
The nation's water turns deadly and Dave is still oblivious. Will he survive yet more water-based hazards?
The lives of both a train conductor and a cross dresser become mixed within one another.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.
bir sait faik hikâyesi: dülger balığının ölümü
A garden in autumn.
Persona non grata
A silent experimental film, originally made in accompaniment to Josephine Zwaan's '1/4' album release presentation in 2016. The film sees musician Josephine Zwaan persist through a test of endurance, with the foundation of the film being a one-take of her staring deeply into the lens of the camera, haphazardly overlayed and re-framed by graphical elements color-matched to the album's artwork.
An experimental film directed by author Samuel R. Delany
The nation's water turns deadly but Dave is oblivious. Will he survive?
A shimmering 10 minute audiovisual experience crafted from footage taken on May 10, 2025.
Over 32 years of archives, patterns emerge and stare back. Will they shape the films I'm trying to make – or haunt their edges?
A vent in the form of an experimental short film, Lip Balm is about finding ways to cope with what can feel like the lowest moments of one's life.
Thirty-six layers of water aligned to create a perfect circle. 1 of 2
"Light from the Mesa" from Barn Owl's album Ancestral Star.
In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
The Tsunami uses environmental metaphor to capture the escalating violence against women crisis in Australia and globally. The normalisation of misogyny and the pervasive harm to women are central themes, reflecting the anger and frustration born from centuries of oppression. The fury of regressing, particularly during disturbing political regimes, and the profound sense of loss fuel its message. It aims to highlight the urgent need for change and the relentless courage required to speak out against patriarchy and entrenched power structures. Produced, written and directed by Nikki Teeuw.