Kannan Karunai

Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.

In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.

The film depicts the adolescent age of the Pandavas and Krishna and shows the events in the Mahabharata, focusing on the later chapters of Adi Parva and the first half of Sabha Parva.

Krishna - The Birth is the enchanting tale of the miraculous birth of Lord Vishnu in the form of baby Krishna to Vasudev and Devaki. The story is set in an era when the human race was overburdened by the demonic forces of different kings posing themselves as the royal order.

Bhishma is a 1962 Indian Telugu-language Hindu Epic film, based on the life of Bhishma from the epic Mahabharata.

The film told, apart from the main story of the friendship between Krishna and Kuchela, a few sequences from the Bhagavatha

A retelling of Mahabharata through the perspectives of KARNA and DURYODHANA. The film uses dialogue and poetry written in Classical Telugu/ Grandhika Basha.

Balarama promises Subhadra that he'll marry his daughter to her son. But when the Pandavas loses their kingdom to the Kauravas, Balarama breaks his promise.

Hailed as India's first stereoscopic animated film, 'Krishna Aur Kans' is an exciting narrative full of action and drama. The movie chronicles Krishna's early years -- from his birth as the nemesis of his tyrannical uncle Kans.

It is an Epic story based on the book Virata Parva of Mahabharatha. After 12 years of Vanavasam, the Pandavas spend their 13th year of exile the Agnaadhavasam in an incognito state with disguised identities at the court of Virata. Follows how they end their exile & the marriage celebration of Uttara and Abhimanyu.

About 500 years ago, the five kingdoms around Dholakpur joined together to end Kirmada`s rule. Now a mysterious force has brought him back from the dead. Don`t miss Bheem beat Kirmada & save the kingdom of Dholakpur once again!

The story of the Hare Krishna movement in the West, contrasting the spiritual exploration of its devotees with the leadership's systemic, long-term cover-up of criminality, moral decay and abuse of power.

Before the Kalyug begins, Lord Krishna hands over an anklet that holds the answer to all of world’s miseries. Years later a doctor finds himself in the thick of things when the pursuit for the anklet carries on. A doctor with a curious mind, Karthikeya, aka Karthik, believes in pursuing the truth. The quest leads Karthik to discover the power of the ancient Indian belief system and the essence of Krishna.

Produced by the Eastman Kodak Company and shot in a then-experimental process, two-color Kodachrome, Martha Graham's dance "The Flute of Krishna" is performed by students from the Eastman School of Music. It's likely (but unconfirmed) that the film was directed by an uncredited Rouben Mamoulian.

A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.

A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.

29-year-old Satonaka Takashi (Kudo Kankuro) is a freelancer. He falls in love at first sight with Satoru Nobunaga (Shiho Takano), who was a nurse at his previous hospitalization. He half stalks her and ends up working at the "Time Machine" restaurant in Tokyo Patio, an apartment complex for the elderly in Asakusa. On his first day of work, Takashi is approached at the entrance by a strange old man (Kunie Tanaka). However, he is told that the old man, Fujiwara Fujiro, is already dead. Fujiro, unable to give up his feelings for Chidori Kanzaki (Yoko Tsukasa), whom he loved before her death, possesses Takashi and uses his body to fulfill his feelings for her. Possessed by Fujirou, Takashi tries somehow to get rid of the spirit, but without success. However, when Fujirou discovers his feelings for Saiya, Takashi is helped by Fujirou, who has a wealth of knowledge and experience due to his age, and finally decides to allow Saiya to live with him in his body...

18-year-old Yeong-seon lives in a residential facility for teenagers. She tries to leave the place and stands on her own two feet, although a social worker advises her to stay a little longer. On her birthdays, Yeong-seon meets with her mother. On one of these occasions, her mother delivers the unexpected news of her pregnancy.

Adaptation of the 1925 novel by F. Scott Fitzgerald for "Playhouse 90." A Midwesterner becomes fascinated with his wealthy neighbor, who obsesses over his lost love.

Sevim is living with the much older businessman Irfan. When Irfan's wife return home he abandon the young woman. But Sevim has been spoiled by wealthy men and can't change her life, till she meet Kemal.