In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.
The film depicts the adolescent age of the Pandavas and Krishna and shows the events in the Mahabharata, focusing on the later chapters of Adi Parva and the first half of Sabha Parva.
A retelling of Mahabharata through the perspectives of KARNA and DURYODHANA. The film uses dialogue and poetry written in Classical Telugu/ Grandhika Basha.
Kannan Karunai is a 1971 remake Indian Tamil-language Hindu Epic film directed by N. T. Rama Rao.
It is an Epic story based on the book Virata Parva of Mahabharatha. After 12 years of Vanavasam, the Pandavas spend their 13th year of exile the Agnaadhavasam in an incognito state with disguised identities at the court of Virata. Follows how they end their exile & the marriage celebration of Uttara and Abhimanyu.
A suspenseful drama of a once renowed Jazz Musician.
A cat named Penny living in a desensitized, unstable world has to find a new job after she gets fired in order to make her dad proud.
After a serious quarrel with his father concerning his debts, Wallace Dixon leaves the house in anger, declaring that he will live his life as beat pleases him. That night, Alfred Dixon, the father, hears a noise by the safe in his bedroom, where he is sleeping, and shoots at the intruder who escapes unharmed.
Thinking that her husband is paying more attention to his work and to their little daughter, Nina, than to her, Cleo Morin runs away with Henri Mordan. On the afternoon of their elopement, Morin, who is a ballet master, is seriously injured on the stage, and the doctor tells him that his spine is so affected that he will never be able to walk again.
That the way to a man's heart is by means of his appetite, is strikingly shown. Mother-in-law comes to visit the newly wedded couple and finds the young man somewhat discontented. It is no wonder, for his wife is so engrossed in her "art," although only an amateur, that she forgets all about cooking dinner and such like trivialities.
Although deeply in love with his wife, Dorothy, Mr. Thomson's jealousy is aroused by her attentions to his son. Dorothy herself is unconscious of this since she is only trying to help her stepson. Things gradually go from bad to worse until one morning at breakfast Jack, the stepson, shows too plainly the effects of the "night before."
Anyone carries something with them, something that can be short and painful, sweet and long, and strange and lovely, but it doesn’t matter. What’s important is LIFE. And the Moon which is watching everything
A wealthy young fellow during vacation becomes infatuated with a poor country girl.
Bijoya, the daughter of a zamindar, falls in love with a learned doctor, Naren.
Anyone carries something with them, something that can be short and painful, sweet and long, and strange and lovely, but it does not matter. What’s important is Life. And the Moon which sees everything
Though her father forbids her to marry Jack Harvey, a poor young artist, Molly Wilson becomes his wife and goes away with him to another town. Bessie, the eldest daughter, an attractive widow with two baby boys and a baby girl, pleads with her father in Molly's behalf, but he is obdurate.
A typical 1968 film, it is directed in an elliptical style by the author, who builds a political theorem on the link between violence and revolution.
A prismatic view of college and the existential angst encountered when faced with questioning one's purpose and direction in life. A philosophical comedy that intertwines ancient greek philosophy and playwriting with modern day escapism and dread.
A boy embraces the future while putting away the past.