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A 64 year old cardboard collecting grandmother and a Brazilian bodybuilder reveal the identity of Macau through the pointillist minutiae of their life experience, emotional strength, and driving passions.

In 1970, Dennis Hopper shot 'The Last Movie' in Chinchero (Peru), an enigmatic Western about the possibility of an indigenous rebellion against a Hollywood film crew. 44 years later, two filmmakers arrive at Chinchero with the intention to make a new film with the villagers about Hopper’s legacy.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

Hotel rooms are rarely the destination for pilgrimage. In one hotel room, an iconic picture was taken - the portrait of Theodor Herzl, the most renowned zionist leader. Filmmaker Matan Tal visits the room and explores how the connection between Herzl and the room, echos Herzl’s own ideology. Which raises the question: Can people and places be connected forever?

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

Get an exclusive look into Tom Segura's life on the road as he spent 2 years touring aggressively across the world. This documentary shows a behind-the-scenes look at Tom’s “I’m Coming Everywhere World Tour" and the 303 shows that led up to the taping of his Netflix standup comedy special, “Sledgehammer.” A Documentary by Paul Brasil.

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

A renowned Mexican journalist and documentary filmmaker living in Los Angeles, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit.

Documentary about Shaolin Monk training techniques and Jet Li .

how many candles are in this club?

A compilation of a filmmaker's discard footage, subtly narrating his point of view of the year 2020.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

A bold reveal of a rose tattoo opens this 1980 documentary on tattooing in New Zealand. The potted history includes visits to tattoo parlours on K' Road and Hastings, and the studios of industry legends Steve Johnson and Roger Ingerton. Tattooists discuss public stigma, people's reasons for getting inked, and popular designs: sailors, serpents, swallows and tā moko. Made for documentary slot Contact, Skin Pics chronicles a time when "folk art has become high art".

Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.

2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

In 2010, the Mariemont Boys Cross Country team tries to repeat the historic season they had in 2009 after they lose their top two runners.

Underground poker player Bobby Diamonds enters the spotlight in this hallucinatory, hilarious, and heartfelt documentary. Directed, Produced, and Edited by Robert Aaron Mitchell Executive Producer Sarah Dillard Mitchell Winner of Best Short Documentary Tokyo International Short Film Festival (2022) Winner of Best Short Documentary Venice Fullshot Film Festival (2022) Official Selection Munich New Wave Short Film Festival (2022) Official Selection Toronto Smartphone Film Festival (2023)

A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.