Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.
The story is about a businessman who is on his way to see the woman he is having an affair with when he gets stuck in an elevator with a little girl. Through their interaction the man realizes he is still in love with his wife and comes out with a new perspective on life.
This is the first fiction short movie of Panahi, who offers us his vision on what it is like to be a young boy and is considered to be an homage to Abbas Kiarostami's 'Bread and the Alley'
When teenager Andi discovers a card of a Dutch porn star in the bedroom he shares with his brother, his obsession to get a phone and access the X-rated content means he doesn't notice that his brother has chosen this day to say goodbye to him.
A young boy, Alfred, is dying, but through the stories about Helium, a magical fantasy world, told by the hospital's eccentric janitor, Enzo, Alfred regains the joy and happiness of his life, and finds a safe haven away from daily life.
A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.
Ra Paulette digs cathedral-like, 'eighth wonder of the world' art caves into the sandstone cliffs of Northern New Mexico. Each creation takes years to complete, and each is a masterwork. But patrons who have commissioned caves have cut off nearly all of his projects due to artistic differences. Fed up, Ra has chosen to forego all commissions to create his own Magnum Opus, a massive 10-year project.
A direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
Jesper’s partner and daughter are away for the weekend. His plan to be alone is disrupted by an unknown call. Can meaning and hope arise in a conversation with a stranger?
High school students Takeshi and F1 were working part-time to earn money by stealing mopeds and selling them to delinquents. One day, Ayaka, who has transferred to the school Takeshi attends, joins them, and the three of them decide to steal a moped. When he tries to steal a moped parked in his apartment, he is found by a woman wearing a mask who seems to be the owner. Takeshi and his friends escape on a motorcycle, but they are quickly overtaken by a running woman with unbelievable physical abilities. This masked woman was a slit-mouthed woman who ran 100m in 6 seconds with her mouth split all the way to her cheeks.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Ballad for Billy the Kid
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
When an emotionally abusive father reneges on a lifelong promise, a determined millennial is forced to choose between fighting for her relationship with her father or her freedom. 'Spoiled Milk' is about what it means to have an expiration date as a daughter and the invisible scars of emotional abuse.
Raquel, a fifteen years old girl, behaves in a strange and aggressive way with her surroundings. He does not speak or relate as he has always done. Nobody knows what's wrong with her and she doesn't tell anything.
Fareed, a young poet of Berber origin, has a sewing workshop in his apartment in Montreal. At first, Fareed doesn’t react at the accusing finger the news media point at all Muslims. But Fareed is forced to react when a client finds herself embarrassed by a message he has left in one of the dresses.