SUMMER. HEAT. SWEAT. CHILDREN'S LAUGHTER. ALL BECOMES DARKNESS.
Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.
Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?
Cream Magec
Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.
Ecos
After discovering his eviction notice, a tricycle driver goes on a desperate hunt for money.
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
Das Coisas que nos Pertencem e Deixamos para Trás
How Brief is a disappearing act set over the course of one night in 1961 when a restless woman returns to her childhood home for the last time, loosely inspired by the music and disappearance of singer-songwriter Connie Converse.
In the desolate countryside, haunted by recurrent dreams, a young drifter finds himself at the borderlands between the living and the dead.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
Collective experimental film by Team 8mm TENGOKU.
Three days with Aèle.
Director Noboru Iguchi's first 8mm film, which he shot as a high school student.
Directorial debut by Klaus Hofmann and Bernd Siebert, shot on 8mm.
As two brothers watch a news cast about extra terrestrial beings, the older brother uses the opportunity to make an analogy about their world being invaded by unwelcome visitors.
A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
While on the run, two criminals accidentally pick the same hiding spot and eavesdrop on their pursuers.