Das Coisas que nos Pertencem e Deixamos para Trás

Director Noboru Iguchi's first 8mm film, which he shot as a high school student.

Collective experimental film by Team 8mm TENGOKU.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.

Ito, Yoshida, Kanbara, and Harumi are high school classmates. Ito secretly has feelings for his best friend, Yoshida. Yoshida doesn't seem confused by Ito's feelings, but simply accepts them naturally. However, one night.

Javier discovers an old camera in his home's garage along with some undeveloped 8mm film reels that hide a hidden past his mother does not want to remember.

Heartbroken, Madeline goes out on the town ruminating on the cyclical nature of love. She passes from one thrill to another looking for answers. Relationships come and go but memories are forever.

Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

Directorial debut by Klaus Hofmann and Bernd Siebert, shot on 8mm.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Short 8mm film made by Naoto Yamakawa while studying at Waseda University.

The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.

The 9th installment of the popular horror series, which introduces scary images posted by general posts, is re-released along with interviews with photographers. " Includes all 3 episodes of "Abandoned Village", "School Building" and "Apartment".

Convinced that a museum art sculpture is misaligned, a determined tourist challenges the gallery’s security protocols in an attempt to adjust the positioning of the central piece.

Obayashi 8mm short about a man who reminisces about a girl in his past (played by Obayashi's soon-to-be wife Kyoko)

"The Imperials Strike Back" was written in 1977 by ten year olds. The film was shot over two years with a regular 8mm camera and a gaggle of kids with a deep love of Star Wars. The Death Star has been destroyed and Han, Luke and Leia go try to find Jabba the Hut to pay him off. But on the way there they get captured by a new ship known as the Death Ship. Made before the release of "The Empire Strikes Back"– the title "The Imperials Strike Back" was based on a mis-reading of Star Wars Fan Magazine "Bantha Tracks" in 1979 when the title of the real sequel was announced. The film was finished around 1980.

A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

A MOVIE IN THE 8mm Film. By Akiyoshi Imazeki