Pollinator

While non-binary representations are rare, Lou talks about their relationship to gender, clothes, and other markers.

Following the lives of Queer creatives behind Norwich’s queer collaborative ‘Stripped Sets’. We discover the reasoning behind the need for safe spaces, and the stories that come with them. Through live events, photoshoots and history, we see the process in creating such an important event.

"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”

An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.

In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.

Max is gender non-conforming and gives birth to River, who they are raising gender-neutral until River can express their own identity.

The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.

Corrupt Colour follows childhood friends and self-proclaimed internet pop-stars, Emily and Gia as they set up their first live concert but their delusions of grandeur are compromised when the live show of their dreams becomes a nightmare. The show must go on and with the help of their closest friends, irreverent leads Emily and Gia are forced to reckon with their true place in the public eye. With poignant lyrics, loud personalities, and unique creative decisions, Emily and Gia take us on a hilarious and melancholy journey through identity in the digital age that leaves us all asking "who am I trying to be?"

A documentary that is a deep exploration of gender identity within the context of Greek society, providing a multi-layered narrative that reflects the experiences of individuals navigating the complexities of gender in a culture where these topics are still emerging. Over four years, the filmmakers captured intimate stories of people confronting their gender identities, revealing how personal, societal, and familial expectations shape their journeys. The documentary aims to challenge the traditional norms of gender and to give voice to those whose experiences are often marginalized. It marks a significant step in Greece’s cinematic exploration of LGBTQ+ themes and is a pivotal contribution to the global conversation on gender identity.

A portrait of Larry Loomer, the owner of an antiquarian bookstore located in a small town. Larry is a colourful and amusing character who shares his wry take on the world.

The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.

A look on transvestites and transsexuals in early 80's Paris. The documentary focuses on Elisa, a Brazilian transvestite and ends with a filming of a surgical operation male to female.

Connection | Isolation presents eight intimate portraits of trans and post-gender individuals navigating the challenges of the COVID-19 pandemic. Amidst moments of connection and isolation, these participants reveal a deepening awareness of gender, their bodies, and trans community. Created by an all trans and queer crew, this hybrid documentary film interlaces portraits with reenactments, integrating archival material documenting what so many experienced and many still do.

In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.

Cinema Fouad is a documentary portrait of Khaled El Kurdi, a Syrian trans woman living in Beirut, where she earns a living as a domestic worker and belly dancer. Soueid shows us scenes of El Kurdi’s domestic world: eating, applying make-up, dancing in her bedroom, all while reflecting on her life and experiences. She expresses her desire to undergo gender reassignment surgery, and mourns the death of her lover, a Palestinian freedom fighter. She often alludes to the aggressions she faces outside of her home, and through her adept defiance in the face of some of Soueid’s more goading questions, we recognize the echoing of these aggressions in his role as interviewer.

In a small village in the south of the Bohemian-Moravian Highlands, filmmaker Kateřina Turečková meets 16-year-old Ben, interested in learning about their newly discovered trans identity in person. Ben seeks refuge for their true feelings in cyberspace, finding moments of happiness by using green-screen technology to imagine their possible future. The film indirectly captures the (mis)understanding and (non-)acceptance Ben faces at school, its focused insight rounded out by the filmmaker’s interviews with Ben’s mother and sister, who inadvertently embody everything Ben hates about themself.

In the first person, a documentary that shows us the experience of Vida Rodriguez, formerly Inocente Duke, in situations that the Trans Law favors: what happens when entering a sauna, locker room, or a public service (even in the Congress of Deputies). An experience that, with respect and large doses of humor, brings us face to face with a law and its difficulties in its implementation.