Why the era of cheap streaming is over

The way of life for people living along the tropic of Capricorn in Queensland 1965. Farming and mining are the main industries in this area of Australia and the only way to get around is by road train, train or plane. The hard way of life for these people is portrayed in this film.

An affecting observational documentary about the education of youngsters with learning disabilities at two Rudolph Steiner schools, in Bristol and Yorkshire. An extra on the BFI Flipside DVD Private Road

This short 1966 documentary dedicated "to all victims of intolerance” depicts the dawn of skateboarding in Montreal. A new activity frowned upon by police and adults, skateboarding gave youngsters a thrilling sensation of speed and freedom. This film - the first Canadian documentary ever made about the sport - captures the exuberance of boys and girls having the time of their lives in free-wheeling downhill locomotion. Jutra's 1966 mockumentary film The Devil's Toy (Rouli-roulant), is a faux-anti-skateboarding propaganda film.

A visual exploration into the origins of witchcraft in the UK and in particular the demystification of symbolism still embedded today within many modern religious artefacts and rituals. X-rated upon its original release, this documentary looks in detail at previously hidden magic rites and rituals. Sharing the secrets of initiation into a coven, divination through animal sacrifice, ritual scrying, the casting of a 'death spell', and the chilling intimacy of a Black Mass.

"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure– the intrigue, possibly– of attempting to retrieve the manner in which it was done while one is watching." -HF

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased homophobia, sexual discrimination and repression of gays.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.

A Ghanaian maintenance technician at a Virginia retirement community dreams of becoming an American citizen to provide a better life for his family. With their future at stake, he enlists the help of two elderly residents to prepare for the biggest test of his life: the US Citizenship exam.

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

Alexis is a 32-year-old white woman married to Alain, an African from Rwanda. This documentary focuses on Alexis giving birth in her parents home. As her parents and great-grandmother look on, a calm mid-wife delivers ten and a half pound Jazmine. The documentary is Interspersed with interviews with Alexis, her husband, Alexis' parents, the soon to be great-grandmother and the midwife.

Bees are one of the most important species on the planet. A look at the trials and tribulations of two particular honeybees over two years from birth to death.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.

The Born at Home documentary explores and uncovers the empowering journey of homebirth, shedding light on the often overlooked and misunderstood option that has transformed lives. Born at Home dives into real stories of women navigating birth trauma and examines how a shift in environment and informed choices can reshape the birthing experience. Wisdom is shared from homebirth families, interwoven with evidence-based information from midwives, medical professionals, doulas, researchers and maternity advocates.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.

The 40th anniversary of Idi Amin's expulsion of Ugandan Asians in 1972 coincides with the festival of Dussehra in which Hindus celebrate the victory of good over evil. Victims of this forced migration to Great Britain relive the shock and dangers of their escape, the hardship and heartbreak of their journey, arrival and first desperate days, to the turning points as they began to make new lives for themselves.