Stadt auf Stelzen

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

Vymenená princezná

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.

Talisman

Todri, a patriotic teacher, returns in his homeland to bring the Albanian letters.

Adaptation of Pirandello's play.

Hester Collyer is rescued by a neighbor after attempting suicide in the flat she shares with her young lover, ex-RAF pilot Freddie Page. The neighbors alert her husband, who arrives at the flat only to find her fully recovered...

Live television version of the classic musical.

A governess put in charge of two young children begins to see the ghost of her dead predecessor.

Television film based on the classic Slovak drama by Ivan Stodola. The theme of the play is the return of a supposedly dead man. The Ondrej-Eva-Mišo relationship triangle will only be solved by the death of one of them.

A man honeymooning with his new wife in the Rockies reports her disappearance to the police. A few days later, a woman escorted by the local priest claims to be his missing wife, despite the man's failure to recognize her. Is a stranger impersonating her or is he delusional?

The story is set during the South American Wars of Independence. Simón Bolivar, the liberator, has escaped from Spanish custody with the aid of an idealistic Spanish officer, Captain Montserrat. The Spanish commander, Colonel Izquierdo ('left' in Spanish), threatens Montserrat with torture to find out where Bolivar can be recaptured.

A television adaptation of Lillian Hellman's play about the Hubbards, a rich Southern family of greedy, ruthless individuals.

In this abridged television production, Lear vows revenge against his conniving daughters after they try to take swift control of his power.

Kým kohút nezaspieva

Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.

Le Bourgeois gentilhomme

Best – His Mother’s Son (BBC Two) was a gloomy drama about Ann Best, mother of George, who was strictly teetotal until her mid-40s, when she had her first sip of sherry to celebrate her son’s footballing success. Ten years later, she was dead from alcoholism-related heart disease. The recreation of late-Sixties Belfast was accurate and, thank goodness, intelligently subdued: no comedy Ulster accents and no point-scoring subplot about the Troubles.

Matka