Las ninfas de la charca

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.

An experimental "documentary" that depicts the life of 4 friends.

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

A fragment of reality about a less affected part of the third world, and how it got to the moon.

The uncomfortable feeling caused by the loss of identity experienced by provincial youngsters who move to Bangkok. Depression might result from growing up in the provinces in the middle of Bangkok, which is a different atmosphere. feeling unrecognizable and eventually losing your identity and thoughts without realizing it.

Innocent nature walk leads to a discovery of the morbid nature of humans.

An ongoing work, David Gatten's Secret History cycle "probes the relationship between printed words and images, philosophical ideas, historical records, and biography." Currently, parts I-V have been released: Secret history of the Dividing Line, The Great Art of Knowing, Moxon's Mechanick Exercises or the Doctrine of Handy-works applied to the Art of Printing, The Enjoyment of Reading (Lost and Found) and What Places of Heaven, What Planets Directed, How Long the Effects? or, the General Accidents of the World.

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Hacımirza diaries fahrettin

Saga, a kid tasked to make a film project, procrastinates, a lot. A habit that keeps coming back into his life continues to put him in rock bottom. He has a few idea on how to embrace it.

Beijo de Borboleta

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.

A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

The stress, pressure, and fast pace that we experience daily make us overlook our well-being. We live immersed in a constant fleetingness that wreaks havoc on our way of life. Oasis is a critique of the overwhelming mass society that consumes us and emphasizes the need to stop, to find calm: an oasis in the midst of the desert.

A young lesbian filmmaker seeks to reclaim herself months after having her first sexual experience, which was with a man. This visual essay explores her relationship to her sexuality, girlhood, womanhood as well as her desires for something more.

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

Seven images, each staging their own disappearance.