Nicholas and the Baby

Robert, an ex-shipyard welder from Govan in Glasgow, reflects on how his experiences have influenced his compulsion to write.

Margreth Olin has filmed 22 persons i their meeting with the well known voluntary healer Joralf Gjerstad. For 65 years more than 50.000 has gone to him to be healed from illnesses and ill-doings. He has never asked for a penny for this

Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

A short film commemorating the 1927 doll exchange between the US and Japan organized by the Committee on World Friendship Among Children

On the 11th of August at 11 minutes past 11am, almost total darkness fell across Southern England and an eerie silence descended as the population gazed skyward at what was the last total solar eclipse of this millennium. A total solar eclipse is a breathtaking event and this documentary programme conveys that awesome feeling by exploring how and why eclipses happen. A mixture of computer-generated views from outer space, footage of eclipses throughout the 20th century (some taken as early as 1927) and original footage taken of this year's total solar eclipse (shot in Cornwall) make this programme a celebration of eclipse mania.

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Sous le ciel bleu d'Arvida

This film was reconstructed and completed in 1995 by Javier Codesal for the Filmoteca de Andalucia, from the montage and the sound that Val del Omar had outlined before his death, after having returned to a project abandoned twenty years before with the incorporation of significant additions (above all in the soundtrack). Val del Omar's notes show that, as he typically did, he had other alternative titles in mind, such as "Acariño de la Terra Meiga" (Caress of the Magic Land), "Acariño a nosa terra" (Caress of Our Land), or "Barro de ánimas" (Clay of Souls), and that in the final phase of the unfinished project he wanted to add a second sound channel – following the diaphonic principle, and using electro-acoustic techniques – consisting of ambient material that he intended to record at the first screenings of the film in the very places and to the very people that were its origin: its "clay".

A short, experimental documentary featuring sculptures by Alonso de Berruguete and Juan de Juni. Shot within the Valladolid National Museum, the film is an excercise in what Val de Omar called "Tactile vision".

On April Fool's Day, 1989, a man crossing the road between two garage sales was hit by a car and thrown into a state between life and death. Nine years later, his daughter uses her camera to try and understand both the absent moment and its lasting impact on her family, Russian immigrants marooned in Colorado.

A look at Communist musicals that strove to be ideologically correct - and entertaining, besides.

On September 11, 2001, Cantor Fitzgerald became famous for the worst of all possible reasons. 658 of their employees were missing, presumed dead, in the terrorist attacks on the World Trade Center. Though Cantor suffered almost twice the casualties of the FDNY, their story was soon pushed aside as the media ambushed Cantor CEO Howard Lutnick, who went from face-of-the-tragedy to pariah within weeks. A true stranger-than-fiction account, unfolding over months and years, the film captures being caught in the crosshairs of history.

A documentary portrait of the backstage efforts to stage the play Moon Over Buffalo on Broadway.

Shortly after Hurricane Katrina, filmmakers Lucia Small and Ed Pincus embark upon a sixty-day road trip traveling from their native New England to Louisiana. On their journey they encounter those displaced by the disaster. The film elegantly tackles the difficult issues of race, class and civic responsibility in the United States today.

Coverup: Behind the Iran Contra Affair is the third feature-length documentary produced by the Empowerment Project. The shadow government of assassins, arms dealers, drug smugglers, former CIA operatives and top US military personnel who were running foreign policy unaccountable to the public, revealing the Reagan/Bush administration's plan to use FEMA to institute martial law and ultimately suspend the Constitution. Strikingly relevant to current events.

Polin performs a song.

Armand Dranem performs The True Jiu-Jitsu ("Le Vrai Jiu-Jitsu", by P. Briollet & G. Fabri / C. D'Orviet) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Dranem, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.

Félix Mayol performs The Trottins Polka (La Polka des Trottins, by A. Trebitsch and H. Christine) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Mayol, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.