Papa, raconte-moi mon père

"Levante" won Canal Futura's annual documentary competition in 2014 and was filmed in Brazil, Mexico, Japan, Gaza and Hong Kong. It first aired at 22pm on the 25th June on Canal Futura. The film is about inspiring people around the world who use technology to speak out against injustice such as Filipe Peçanha from Midia Ninja who used the Japanese Twitcasting app to broadcast the Brazilian protests of 2013 from his smartphone, Noor Harazeen from Palestine who created the first English-speaking youtube news channel in Gaza, and Howard Kong from the Apple Daily newspaper in Hong Kong who used a drone to film the conflicts between police and protesters in 2014.

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

On December 8, 1983 a fifteen year old Jewish boy from the city of Haifa was kidnapped, murdered and sexually abused after his death. Five Arabs who worked in in the neighborhood’s supermarket were convicted and imprisoned for life and 27 years. The conviction was based only on the defendants’ confessions and reconstructions. Seventeen years after their conviction, the five defendants still claim they are innocent. "​The Reconstruction" follows the police investigation and juridical process step by step. The heart of the film is the original videotaped reconstructions of the murder performed by the defendants in which they admit their guilt.

Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.

A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.

A documentary on the historic first-ever visit of a Palestinian National team to Europe, following the Palestinian women's team as they arrive in Ireland to a heroes' welcome and play a solidarity friendly against Bohemian FC on May 15th, 2024. The sold-out match marked the 76th anniversary of the Nakba and highlighted the ongoing genocide and human rights violations happening every day in occupied Palestine. It was one of the most emotional and important games ever held at Dalymount Park in its long and storied history since 1901, and the event raised over €100,000 for three Palestinian humanitarian organizations.

"1985: Heroes among Ruins" is a reflection of disaster. It is about the human solidarity, the search and rescue and the importance of civil protection, but above all, the triumph of the people over devastation during the earthquake of September 19, 1985 in Mexico City and the one ocurred in September 19, 2017.

For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?

Two formidable Native American women, both chief judges in their tribe's courts, strive to reduce incarceration rates and heal their people by restoring rather than punishing offenders, modeling restorative justice in action.

An intimate portrait of Alabama public interest attorney Bryan Stevenson, founder and executive director of the Equal Justice Initiative, who for more than three decades has advocated on behalf of the poor, the incarcerated and the condemned, seeking to eradicate racial discrimination in the criminal justice system.

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

In July 1860, the schooner Clotilda slipped quietly into the dark waters of Mobile, Ala., holding 110 Africans stolen from their homes and families, smuggled across the sea, and illegally imported to be sold into slavery. Surviving Clotilda is the extraordinary story of the last slave ship ever to reach America's shores: the brash captain who built and sailed her, the wealthy white businessman whose bet set the cruel plan in motion, and the 110 men, women, and children whose resilience turned horror into hope.

Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an improbable attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country’s outdated judicial and societal systems.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

L'audience : dans les coulisses de la justice d'asile

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Les Réseaux Pédophiles : La pièce qui accuse

In this poignant film, the story unfolds through a heartfelt letter from a mother to her son, Jacob, reflecting on the loss of his other mother. Through flashbacks and the sharing of memories, we witness the love story between Adrianna, a dedicated OSI agent, and her wife, Heather, as they navigate the challenges of military life under the "Don't Ask, Don't Tell" policy. Despite the constant fear of exposure, their bond grows stronger. Adrianna's eventual deployment to Afghanistan, where she serves with valor, ends tragically, leaving her family to grapple with the devastating news. The narrative captures the enduring love and strength that Adrianna instilled in her family, her commitment to her duty, and the bittersweet reality of their shared dreams cut short. The film closes with a reflection on the end of America's military involvement in Afghanistan, juxtaposing personal loss with historical milestones, and a message of gratitude and resilience for the future.