Xetá
In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.
Matimekush is landlocked in the former mining town of Schefferville, 700 km north of Sept-Îles. It was founded in the 1950s, when the Canadian government and Iron Or forced the Innu to settle down. In Canada’s Far North, there is a dire labour shortage. At Kanatamat School, the heart of the community, most of the high school teachers are from Africa.
María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.
Does Europe also have its own animistic heritage, like Pachamama in South America and Shinto in Japan? If so, which one? In the Misty Lands, i.e. Estonia, Latvia and Lithuania, a sacred fire is lit on the winter solstice to celebrate the return of the sun and ancient beliefs that have been forgotten in the rest of Europe for thousands of years. Sophie Planque and Jérémy Vaugeois decided to take a journey on bicycles to experience the Baltic winter and meet the people who keep their ancestral culture alive. A unique heritage that reinforces a deep relationship with nature.
Liberdade Não é Só Japão
Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.
Sean and Adrian, a Two-Spirit couple, are determined to rewrite the rules of Native American culture through their participation in the “Sweetheart Dance.” This celebratory contest is held at powwows across the country, primarily for heterosexual couples … until now.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.
An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
What might it be like to be a horse? Not just any horse, but a top-end racehorse in Ireland? This is the question Horses explores, following three promising, charismatic horses over the course of one rather difficult racing year, bringing us into their world and revealing their distinct individual characters. Beautiful, unusual, and highly entertaining, the film combines the drama of a sports movie with the exploration of an ancient human obsession, offering a subtle critique of humanity's quirks on the side. (Storyville)
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Dolores
A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.
The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.
The journey of a young candidate running in the Pessamit community band council elections.
This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.
At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.