A Tainha e a Onda
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
They have no roots, no seeds, no flowers, but mosses show immense survival capacities and can suspend their biological activity for long periods. Today, researchers are exploring the exceptional resistance of these archaic organisms. British ecologists have even resurrected a "zombie" moss that has been trapped in the permafrost for 1,500 years. Associated with decay and disliked in Europe, mosses are deified in Japan. With 25,000 species worldwide, bryophytes - their scientific name - are the seat of real ecosystems, and can develop in inhospitable landscapes, through an extravagant reproduction cycle.
Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.
Des Rives
A furious, iconoclastic attack on power and the media in a modern France where Islamophobia has become mainstream and inequality is growing from the suburbs to the boulevards.
A Chippewa prophecy foretells a time called the 7th Fire when lost traditions will be recovered. Native American filmmaker Sandra Sunrising Osawa examines how the Chippewa Indians of Northern Wisconsin have struggled to restore the centuries-old tradition of spearfishing — and the heated opposition they have encountered.
Solitud de Cristo
30 years after the Chernobyl catastrophe and 5 years after Fukushima it is time to see what has been happening in the “exclusion zones” where the radioactivity rate is far above normal.
Papa, raconte-moi mon père
Filmmaker Roman Polanski and photographer Ryszard Horowitz meet in Kraków, Poland, where, strolling the streets, they share memories of their childhood and youth, the hardest days of their lives, when, during World War II, they met in the ghetto established by the Nazi occupiers.
This documentary offers a deep, candid, and historical look at the Christian experience of America's largest and best-known tribes: the Dakota and Lakota. Its exploration into Native American history also takes a hard and detailed look at President Ulysses S. Grant's Peace Policy of 1873, which was, in effect, a "convert to Episcopalianism or starve" edict put forth by the American government in direct violation of its Constitution. The devastation it had on the values of the people affected were dramatic and extremely long-lasting. Grant's policy was finally ended over 100 years later by the Freedom of American Indian Religions Act in 1978. Interlaced with extraordinarily candid interviews, this documentary presents an insider's perspective of how the Dakota and Lakota were estranged from their religious beliefs and their long-standing traditions.
La Coloc
Viking chieftains, flaming torches and outlandish costumes liven up a dark January day in Lerwick, Shetland, as the townsfolk celebrate 'Up Helly Aa'.
The Cost of AI
The story of the Yuma Crossing, the place where centuries of travelers crossed the Colorado River as told in a series of reenacted vignettes by colorful characters from the Quechan tribe, the conquistadores, Father Kino, Olive Oatman and others up until the first bridge was built in the 1920's.
A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
When a massive Chinese factory complex attempts a high-stakes expansion in rural Ethiopia, three women in search of prosperity have their faith in industrialization tested to the limit. Filmed over four years with singular access, Made in Ethiopia lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film was awarded the Jury Special Mention at Tribeca Festival.