The House on Trubnaya

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

The story of Stalin and the Soviet people.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

The Kakurangers are now middle-aged adults in Ninja Sentai Kakuranger's 30th anniversary special!

Ferrari Thunderbird Taylor is getting ready to leave South Carolina behind forever and start a new life in the Queen City - until her deadbeat husband exchanges all their hard-earned money for cryptocurrency at the behest of a shadowy cult figure, known only as Ted. Before her new life can begin, Ferra must dismantle Ted's legion of Apocalypse-preppers, restore her husband's sanity, and salvage what's left of her good name.

Rémi Gaillard is the real character of the World network, troll, provocateur, one of the biggest-selling comic actor in Europe. One and a half milliards of viewing and millions of fans. A day came, and he decided to steady down: got married, settled down on work on a parking place, promised a pregnant wife, that also «goes away to the decree» and gives up the pranks. But how to deafen talent and disorderly conduct of fantasy?. Fans can not assume his care. Gaillard returns.

Jack Osterman is smitten with a woman on a park bench, and cannot stop saying the word "Umpa" for the rest of the film, which involves his treatment by a doctor and his singing and dancing temptress nurses. Somewhere between utterly silly and consummately brilliant with its fully rhyming dialogue, "Umpa" is the catchword for that enduring urge that makes people do ludicrous things with absolute determination.

After a quarrel with his mother, Torajiro sets off to find a bride.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress. Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts.