The House on Trubnaya

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

The story of Stalin and the Soviet people.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Ex Pimp on his third strike have to change careers in a hurry so he decides to open up a church to bring in easy cash. He hired his closest of friends to help him run it; but little do he knows that one or some of them have an agenda of their own.

A tragic story filled with tears and money of the audience, telling about the life of a simple food deliverer Nurlan, who fell into the insidious clutches of the world-famous comedian Bogdan.

Starring George Jac, Kayla Schaffroth and directed by Tony Olmos. When an over-eager recruit is matched up with an absent-minded detective, the well-meaning pair end up doing more harm than good.

Drei gegen Troja

After 16 years of servicing the printing needs of the community, Copycat will be closing its doors. On the final day of business the store manager, Sam, leads his crew on a crazy and unpredictable day. The staff will entertain a cast of interesting customers. During this final day they will encounter two wanna-be rappers that have had an unfortunate experience with a tattoo artist, a pair of local celebrity Cougars on the prowl, a waitress from "The Wiener Shack" who has a big secret, and a worthy challenger to Bob's karaoke crown. Lyssa, the copier tech, will spend the day in the center of the mayhem as she breaks down the equipment. Joe the bum, who considers the Copycat "the home he doesn't have", will need to re-locate. As the staff ponders their future plans, the events of the day unfold as they discuss important subjects such as UFOs, Chupacabras and the potential upcoming Zombie Apocalypse. The final day will culminate in a karaoke battle for the ages.

The Durango Kid rides again in Lightning Guns. As ever, the masked Durango (alias Steve Brandon) is played by Charles Starrett, who this time around is on the trail of a gang of cold-blooded killers. Rancher Dan Saunders (Edgar Dearing) is held responsible for the killings because of his opposition to a politically expedient dam project. Durango believes that Saunders is innocent, and he intends to prove it.

Louise Farnt is obsessed with the world of self-help. And when she meets the not necessarily sane guru wannabe Val Stone, a murderous spree begins.