The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

The story of Stalin and the Soviet people.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Sam always seems to make the wrong decision. A convicted computer hacker, he's single, jaded and barred from using the internet. Forced to crash on his brother's couch, he makes ends meet by working at the local Twistee Treat and stealing mail while disguised as a postal worker. Then, a single pink envelope changes everything. Handwritten by a heartsick Josie to her late husband, the tender missive awakens something in Sam.

After the idol group Aqours has won the final Love Live! contest, its remaining members prepare to enroll at a new school only to run into some unexpected trouble while the former members go missing on the way to their graduation trip. Separated, the girls begin to realize the value of their friendships as they attempt to find a solution to their various crises.

Pa ¡Por mis hijos lo que sea!

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.

A boy trains his new golden retriever for duck retrieving competition, much to the chagrin of his first dog, a lovable but untrained mutt.

In this homage to the early days of mumblecore, an innocent game of spin the bottle sets off a chain reaction within a group of couples that leads to break ups, infidelity, and betrayal that will change their lives forever. Think 'Husbands and Wives' meets 'The Puffy Chair.'

Hilarious interactions ensue when Farhat discovers on his wedding night that he has married his mother-in-law.

The hero of Wansa-kun was Wansa, a husky puppy who is sold for a pittance, then escapes, and spends much time looking for his mother. During his adventures on the street he meets friends, enemies and his beloved girlfriend. This OVA reunites the complete series aired on TV.

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