The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

The story of Stalin and the Soviet people.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

Film in three episodes. On the first, man is seduced by strange woman. The second shows orgies with couples. Punk girls kidnap and rape men on the third segment.

Three beautiful Space Babes find themselves stranded on Earth when their spaceship runs out of energy after a dangerous encounter with their mortal enemies, the Scrotes. Once they discover human sexual arousal can recharge their ship, they accept the help of a lonely farm boy to harness energy at a local strip club and get back home — all while avoiding the nasty Scrotes.

Jo Bole So Nihaal (also transliterated as Jo Bole So Nihal; literally meaning "Whoever utters shall be fulfilled") is a 2005 Bollywood action comedy film, directed by Rahul Rawail. It stars Sunny Deol, Shillpi Sharma and Kamaal Khan in lead roles, whilst Nupur Mehta and Surekha Sikri appear in major supporting roles; the director also plays an antagonistic role in the film. Singer Kamaal Khan appeared first time on big screen in a negative role. This movie was his debut movie as actor. The film's release was met by protests from Sikh groups, who took offense at its use of a Sikh religious phrase as its title,[1] as well as scenes in which a Sikh police officer is shown being chased by scantily-clad women[citation needed]. Two bomb attacks on 22 May 2005 on theatres in New Delhi showing the film killed one person and injured 49, prompting cinema owners to pull the film, in some cases voluntarily and in some states as a result of a government order.

Lulu Danger's unsatisfying marriage takes a turn for the worse when a mysterious man from her past comes to town to perform an event called "An Evening with Beverly Luff Linn: For One Magical Night Only."

Paris at the Belle Epoque. Monsieur de Pontagnac, a perfect honest man, loves pretty women too much and that plays him many tricks. What need does he have to follow the pretty Lucienne Vatelin, home, to find himself in the presence of the husband, the notary Vatelin, who is part of his circle? From there, many characters will meet, avoid each other, find each other. Adultery, domestic scenes and reconciliation will be their lot.

In this unusual offbeat black comedy directed by Ugo Tognazzi, Giuseppe (Tognazzi) is a middle-aged industrialist obsessed with gadgets. When his nose starts to whistle uncontrollably, he checks into a clinic to resolve the problem. What begins as a minor affliction worsens, and Giuseppe is placed on a different floor as his ailments multiply. The sicker he gets, the higher he goes up in the floors of the clinic, until he is near death's door.