The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

The story of Stalin and the Soviet people.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

It's summer. Lisa goes every day in a holiday hotel to give French lessons to Mario, the owner's son. the beauty and personality of Lisa quickly raise the attraction of tourists, but also jealousy of mothers who see their husbands and son prowling around the lovely young woman ...

A wealthy man, Tonis , in love with a poor girl, wants to marry her despite the objections of his father. The brother of the girl falls in love with Tonis' sister and the two couples will finally be able to get away with the tough father.

A band of fearless chickens flock together to save poultry-kind from an unsettling new threat: a nearby farm that's cooking up something suspicious.

A get-rich-quick scheme goes awry when a group of friends stumbles onto a dangerous conspiracy and wind up getting mistaken for the bad guys.

The Spiders arrive back in Tokyo and end up in a car accident with a beautiful fan, Yuko, who the lead singers fall in love with while she convalesces at the Hospital.

With his friends constantly crashing at his house and straining his relationship with his girlfriend, James must choose between his friends and his girlfriend.

An accident at a pharmaceutical lab turns the mild-mannered and unassuming Junie, an ice cream vendor, into a superhero. Junie finds out that being strong and admired can also have its downside.

King Arthur's kingdom and the knights of the Round Table are in the doldrums since the Dark Knight stole the Singing Sword and put it under the protection of a fire-breathing dragon. The king's jester, Bugs Bunny, says only a fool would try to steal it back, so the king orders him to try. The jester boldly enters the Dark Knight's castle, initially catching his adversaries napping, but when the Singing Sword wakes the knight and the dragon, can Bugs complete his mission? He's a clever fool. A moat, portcullis, and catapult all figure in the face off.

Bugs Bunny and Daffy Duck (as Jack) find themselves at the top of a beanstalk where they get chased around by a giant Elmer Fudd.