Hore dole, hore dole

Momofuku TV employs CG animation to look back at the history of instant ramen and tell the story of how Momofuku Ando overcame great adversity to achieve inventions of worldwide importance. The program presents the six keywords that drove Momofuku’s creative thinking in a fun and easy to understand way.

Toska

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

From PBS - With unprecedented access, The Shaw Festival: Behind the Curtain captures the unique creative process of one of North America's longest running, most distinctive and exciting theatre experiences. Each year between April and October, the Shaw Festival--which began in 1962 with the mandate on works by George Bernard Shaw--presents around 10 plays on four stages that attract patrons from all over the world. Located in Niagara-on-the-Lake, Ontario, Canada--the Shaw's one-of-a-kind schedule has actors and directors working on several plays at once. Over eight months, crews design and build sets on a finely honed schedule that is both frenetic, creative, and amazingly well planned and executed. Follow the process of getting the play from the page to the stage as The Shaw Festival: Behind the Curtain provides insight into every aspect of production at a summer theatre festival.

A documentary about the rehearsal of a theater production of Ingmar Bergman's "Fanny and Alexander" in 2012, in Stockholm, Sweden.

A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.

Historic theaters capture the imagination with interesting architecture, lighting, and decorative lobbies. Award-winning videographer/ historian Darrell Jabin toured dozens of theaters, researched opera houses, vaudeville, movie palaces, and neighborhood theaters, and interviewed historians, theater owners and executive directors of community theaters to create a short film covering a unique part of Oregon history.

Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.

On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.

Le mari ne compte pas

Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.

La Perruche et le Poulet

When the opening night of a new play goes horribly awry, the actors are forced to frantically improvise the plot onstage. Clashing egos, tested friendships and a series of disastrous misunderstandings combine to create the most offensive, shocking and accidental piece of theater ever to debut in front of a live audience.

During the break of her theater play, Luna gets confronted with the consequences of her own ambitions

A theater actor with crippling body image insecurities must face his greatest fears when he is asked to perform nude on stage in his dream role.

A journey through the psyche of a young ballerina whose starring role as the duplicitous swan queen turns out to be a part for which she becomes frighteningly perfect.

Tight

Henrique can't get over his breakup from Gabriela and, even a year later, he's so devastated that he can't get excited about anything or anyone else. To put an end to his suffering, he decides to take his own life, but as he doesn't have the courage, he hires a company of hitmen who have just one rule: Once signed and paid for, there is no turning back. However, after signing the contract, Henrique and Gabriela cross paths by chance and she discovers that she wants to get back together. Desperate to find out who will be his executioner, Henrique becomes involved in a path full of tense and miraculous situations in order to save himself and finally be with the woman he loves.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.