Le dernier flip: démarchandiser

Rival house flippers, Jules Briggs and Lance Waddell, renovate dual sides of a duplex and rekindle an old romance.

14-year old Echo and her mother Ivy, a tarot card reader, live a quiet life in a rural area. When reclusive Kurt moves down the road to restore an abandoned farmhouse, an accident leads to Echo’s murder, and suddenly three lives collide in mysterious and wicked ways. Kurt assumes he can hide his secret under the ground. But Echo burrows into his head until he can feel her in his bones. As she haunts his every move, trying to reach her mother from beyond, Ivy must dig deep to see the signs and prove that love won’t stay buried.

After she and her husband move into a haunted house, a woman gives birth to a demonic infant that wreaks havoc.

The film is a story about the officers, soldiers and seamen who did not betray their oath of loyalty to the people of Ukraine and their first hand accounts about Russia's invasion and annexation of Ukraine's Crimean Peninsula. They continue to fulfill their military obligations on land, on sea and in the air today.

How Anna Sorokin, known as the "Soho Grifter," fascinated the world and conned the highest social circles into believing she was a German heiress worth millions.

"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?

During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.

Reba is 14 and she lives with her family in Dhaka. Often on her way to school she is being followed or harassed by groups of boys who shout after her. It's part of everyday life in Bangladesh for young girls. In Reba's school class four girls have already been forced to marry and only one of the girls married out of love. Reba's family might have to marry her off too if they can't afford her education. Her mother wants her to continues her studies and get the education that wasn't possible for her. Reba wants that too. Reading in the papers about the acid attacks and rapes that are happening to women on the streets scare her, but she won't give up.

An account of the Eastern Front, epic in scale and savagery, as Soviets experienced it and Stalin commanded it.

La face cachée de la viande

Cast, crew and writers of the much-loved sitcom set in a department store look back on its 13 year run. Chock-full of innuendo, dodgy lifts, occasional customers and much loved regulars, this documentary tells the story of the long running farce set in the clothing section of a dilapidated department store. It's an affectionate look back at one of Britain's most popular sitcoms, where off camera the veneer of camaraderie concealed an undercurrent of envy and sadness.

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

Jean Epstein’s short documentary filmed on the Breton island of Sein, which film preservationist and cinephile Henri Langlois called “one of the most beautiful documentaries in the history of French film, a true poem about Brittany and the sea."

Here we see one of the methods employed in the search for gold, where water is scarce. We see the workmen using the water over and over again in the rocker until it becomes too thick with earth for further use. The scene is one of action, as the valuable character of the ground enables many to work profitably in close quarters. An interesting and instructive subject.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

Unternehmen Teutonenschwert

Short film in which we see DeCarrio Couley shadow boxing.

A portrayal of Futurist artist José de Almada Negreiros, who said: "I wanted others to say of me: 'Look, a man!' The same way they say: 'Look, a dog!' when a dog passes by; or how you say: 'Look, a tree!', when there is a tree. Which means as an entity, without the use of adjectives, only as one whole: A man!"

The film accompanies Grupo Galpão during a period of social isolation. The actresses and actors were prevented from debuting in the theater for the 25th edition of the company, due to a worldwide pandemic for ten days for a first artistic experience in the virtual environment.