In a candid, first-time interview with Rachel Lee, the so-called teenage mastermind behind a string of high-profile celebrity robberies in 2008 and 2009, the film examines the motivations of Lee and a group of her friends who broke into celebrity homes in Hollywood to ransack and steal, exploring the possible reasons behind her actions including mental health issues and addictions, as well as the climate of celebrity excess that fueled the teens, recontextualizing the events behind the sensational headlines.
Sound progression of two opposite landscapes.
Young Olga Ahrendt almost succeeded in attempting suicide. She had thrown herself in front of a tram out of desperation about her miserable life, a desperation she shared with many in the post-war period. Fortunately, Privy Councillor Sauerbruch is at the scene of the incident, ordering her to be admitted to his clinic after a brief examination. Sauerbruch works both as a university lecturer and as a surgeon, a famous doctor who not only helps his patients physically but also gives them spiritual comfort. After he has taken Olga Ahrendt to his hospital, he discovers during an examination that her suicide attempt is due to a serious physical illness. He intensively takes care of her without forgetting about his other patients, to whom he can give a new will to live, even if only through a small story. And he will also treat Olga Ahrendt successfully...
In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.
In 1995, former KGB Major General Oleg Kalugin and ex-CIA Director William Colby collaborated in an unexpected way. They made a video game. The Great Game traces how both men rose to the tops of their fields following World War II, before falling out of favor with their respectives agencies — on opposite sides of the Iron Curtain. For Kalugin, a growing discontent with the KGB’s treatment of Russians radicalized him against the institution. Meanwhile William Colby, an OSS operative and the CIA’s man on the ground in Vietnam, was fired by President Ford after testifying before Congress about controversial CIA programs like MKULTRA and CoIntelPro. After the fall of the Berlin Wall, both living on American soil, Colby and Kalugin played themselves in Spycraft, a multi-million dollar game that was among the most advanced of its time — and is now almost entirely forgotten.
They call each other Emmanuel and Vladimir - but despite the informal tone, a fateful negotiation is taking place. During France's presidency of the EU, President Macron takes on the task of negotiating with President Putin in an attempt to prevent an invasion of Ukraine. For the first time, we get to follow the diplomatic game behind the scenes and hear parts of their phone conversations.
Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.
A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.
This documentary draws on new evidence to reveal that a fire was raging in Titanic's boiler rooms before she left port, that it was kept secret and, it's now believed, that it led to the tragedy
King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire, Jacques Le Gris, by challenging him to a duel.
A father fights for decades to bring his daughter's killer to justice in France and Germany before taking extreme measures.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The world's leading scientists and cinematographers relive 5 extraordinary shark feeding events. From being surrounded at night by 700 grey reek sharks, a 300-strong gathering of blacktip, dusky and bronze sharks feeding on thousands of bait fish, to the spectacular sight of more than 200 blue sharks feeding on the carcass of a seven ton whale; the Great Shark Chow Down is an epic celebration of sharks from around the world.
As artificial intelligence becomes ever more sophisticated, the film industry is split between enthusiasm at what the technology can achieve and concern over the future for human workers in the industry. Will actors and actresses be replaced by machines? An overview on the coming wave of AI in cinema.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.
Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.