Sisam

Tajibee, a cockfighting expert from Kawachi, and Kitahachi, a carpenter from Edo, survive a shipwreck near Beppu. They rescue Sakamoto Ryoma from masked samurai, and he entrusts them with a secret letter for Saigo Takamori of Satsuma. A shogunate spy, Chizou, overhears and pursues them. Along the way, a pickpocket named Okoma steals their wallet and the letter. When they finally deliver the letter in Satsuma, they realize it was a decoy to mislead the enemy.

Geisha Yaeko is approached by a samurai who has just returned to Edo while she is painting a picture of camellia flowers in a temple. The samurai, whom she meets again at a drinking party, is the heir to the castle's daimyo, Yuuki Shinichiro, and the two become romantically involved despite their different social standings. Although he tells her he cannot marry her immediately, Yaeko believes in Shinichiro and continues to wait for the day they can be together. However, Shinichiro's uncle, Kuwajima, tells her to end the relationship.

Shinza is known for his stubborn personality and continues to hold a low-ranking position as a magistrate, despite his colleague Kato becoming the deputy chief retainer. His daughter has feelings for Hachiro, one of her father's subordinates, but she is afraid to express her emotions because of Shinza's intimidating presence. One day, Shinza gets involved in a violent incident within the castle.

Kumazou, a "cleaner" for hire, encounters a woman attempting to commit suicide with her two young siblings one night. Kumazou gives them all the money he has and saves them from jumping off a bridge. The next morning, he wakes up to find that the woman and her sons have invaded his home and settled in…

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.

Echizen Fukui Domain. Futago Rokubei, who backs down even at the sight of a gecko, is called "Coward Samurai" by others. His sister Kane blames him for not having any marriage proposals. One day, the lord's martial arts instructor, Nito Kouken, kills one of the lord's attendants, Kano, and flees, leading the angry lord to issue an order to kill him. However, there is no one in the domain who can match the swordsmanship of Nito. Rokubei, in order to clear his long-standing dishonor, volunteers to be the one to kill Nito and sets out on the journey, leaving behind Kane who tries to stop him in tears.

In the era of the ninth shogun, Ieshige, the Ooku of Edo Castle was a world of only women, with Tokiwa at the head and numbering up to a thousand. The town girl Otoshi catches the eye of Oitsu-no-kata and is brought into the Ooku. Oitsu receives the favor of Ieshige and is blessed with an heir, but Oko-no-kata resents Oitsu to the point of wanting to curse her to death. At that time, rumors of an evil spirit in the unopened room spread throughout the Ooku.

Heizo "The Demon" investigates the shop of Toshimaya the swordsmith, where 280 ryo was stolen and twelve people murdered. This particular group of theives are most dangerous because of the willingness to kill for money, but what about this mysterious unibrow, who is he? What is he up to?

Edo town thief called "Acrobatics boy" has been rampant in town, just that time, spy, Goro of Otaki will see a woman who had been an inside contact of the Yataro by chance. Also, Heizo is worried about the child of Inoue Tatsuizumi, who decided to ask for help for Gen'an.

Heizo "The Demon" deals with an arson thief gang known as "Bungoro" the fire thief who leaves a calling card as evidence. As a street notice, showing the thief of Ohno shop, but it is not Bungoro, it's the quick work of a solo member. Heizo Hasegawa with his hands full may have caught a break, it may be a falling out among the thieves.

Heizo's cousin Senemon Misawa and his son Katsuzo visited Heizo's home. Heizo learns that Senemon has fallen in love with Katsutoshi, a woman who works at the Yamabukiya Tea House, and has asked her to marry him. Heizo decided to visit Yamabukiya, saying "I will try to find out if this woman is a bodhisattva or a demon." After meeting Katsutoshi Heizo, felt embarrassed and ordered Gorozo to inquire about her just in case. Gorozo, in turn, sends secret detective Rihachi to Yamabukiya with the task of keeping an eye on Katsutoshi...

An old thief, Kuhei Sagiwara, used to visit his hometown at the foot of the Kurikara Pass in Kaga Province. Hiding from the rain, he overheard a secret conversation between three men, just like him, hiding from the rain. These three conspired to kill Heizo Hasegawa, the head of the arson and robbery police squad, and the head of these three is the outrageous villain, thief and murderer Jingoro Amikiri...

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

Abashiri Prison is located in the coldest place in Japan. Two men, handcuffed together have escaped from the prison, one a yakuza, the other a petty criminal, and although they hate each other they must work together if they are to evade capture in this harshest of climates.

After the fall of the Tokugawa Shogunate, there was a series of battles fought while the former supporters of the Tokugawa shogunate retreated to the north where they actually started a sovereign nation that was recognized by more than one European country. Survivors of the Shinsengumi were among the followers of Enomoto Takeaki who took them to the northernmost island of Ezo where they fought their final battle at the star shaped fort, Goryokaku. The Japanese Civil Wars fought in the name of the emperor signaled the complete end of the feudal system and Japan’s entry into the modern world as those brave samurai tried to halt progress and learned that the age of modern warfare and weaponry had passed them by. Swords were no match for rifles and cannons, nor was any man a match for the power of the imperial flag. Japanese loyalty to the emperor has long defined the nation and culture despite the changing times.