epilogue

Peter and Katarina are at a marital crossroads, but, when he brutally kills a burlesque dancer, their domestic squabbles are rendered trivial by comparison. In the wake of the crime, the film backtracks, painting a portrait of the fraught union between Peter and Katarina. When does a marriage go bad? What causes a member of the German bourgeoisie to murder an innocent woman?

Kamen Rider Build NEW WORLD: Kamen Rider Cross-Z is a post-series V-Cinema film of Kamen Rider Build. It will focus on the character of Ryuga Banjo, Kamen Rider Cross-Z, along with Kamen Rider Prime Rogue. It was announced immediately following the broadcast of the final episode of Kamen Rider Build. The film will have a limited theatrical release in Japanese theaters before its home video release. This is the last Kamen Rider movie to be released in the Heisei era.

Deputy Officer of the United Nations Alliance, Simon Marcus, who aims to conquer the world with the terrorist organization Downfall along with the mad scientist Keiji Uraga, attack the Kamen Riders with overwhelming strength. It is only on Kamen Rider Grease that the enemy's abilities did not work. In order to defeat this new enemy and rescue Misora, Kazumi Sawatari must create a new item ... but it is told that it requires the life of his friends, the Three Crows. The ultimate decision must be made.

The “Amazon Livestock Project,” a mysterious care facility, the Amazon extermination organization 4C (Competitive Creatures Control Center) pursuing Haruka Misuzawa . . . all come together in a tale of symbiosis and competition; the mortal combat between the carnivore and herbivore. And, finally, an end to the troubles and conflicts of the Riders, two beings confronting a fierce fate.

Etta Candy and the rest of the Wonder Woman team meeting up to discuss a top-secret mission.

With the older Sakurai having sacrificed himself to ensure Airi’s future, Yuuto struggles with his own role in their story. Despite being told that he is no longer bound to his future, Yuuto finds himself continually drawn to Airi, and when another man contracts with an Imagin to woo her, Ryotaro and the Imgain are pulled into the situation, all while the DenLiner runs out of control through time!

After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.

In this follow up chapter to Alien: Covenant, an astronaut-detective connects the dots of what went on in David's lab on Paradise. Tracing the evolution of the synthetic human's experiments with hybridization, the astronaut goes further inside the biology of the Xenomorph than any Weyland-Yutani employee before him. This last official release in the Alien franchise to date uncovers step by step where the Alien species originated.

A disgruntled teenager, sent to do community service at a rundown Karate school, enters an MMA tournament to face the man who killed his parents.

A young priest named mark is sent as a vicar to a native American village in B.C. Canada, there he learns of faith and humanity, as he watches their culture being torn to shreds.

In this sequel to Nagabonar (1986), the now old Nagabonar was asked to live with Bonaga, his foreign educated son, for a while in Jakarta. This was an effort by Bonaga to ask Nagabonar's permission to turn the family palm plantation into a resort. This outraged Nagabonar since the family cemetery was in the plantation. Distraught, he left his son's house and got himself lost in Jakarta.

321 días en Míchigan

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

Postwar Tokyo. Pin and Toku live in the squatter area of Kappanuma. Pin and Toku are avid gamblers. They take in Tsuru, a slightly demented woman who has run away from a geisha house.

In this multiverse comedy about Alzheimer's, Nellie travels through alternate dimensions in search of her husband.

A mild mannered guy is kidnapped and is forced to figure out if his girlfriend put him in this situation in this drama/comedy/romance film.

After his successful first "case", Allmen decides to make finding lost art objects his profession and thus avoid financial misery in the future.

As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.

The door has been closed for many weeks. A teenager has locked himself in - shutting out a helpless father, mother and sister. In Japan, youths like him have already been given a name: Hikikomori (the secluded). The phenomenon is also beginning to spread throughout the Western world. This is all the family has been able to find out. All they can do is stand in front of the locked door and ask, beg, implore, throw tantrums, despair, accuse, ignore and hope. All the while, the door increasingly becomes a mirror of their own lives.