In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.
Coping Strategies is a stop-motion animation created from the screen prints of Ellie Honel
One day, Kandume's can boy, who happily lived with his friends in the kitchen, becomes an empty can and is discarded. Eventually, he has a dream about the history of iron and humanity. He sees how iron that melted and flowed out during a forest fire, was discovered by humans once it cooled and solidified. This iron then transformed into knives and machines, leading to the development of civilization. When the can boy awakens, he is taken to a steelworks and reborn as a new steel material.
The idea of JAM was conceived while I was attending the Ottawa International Animation Festival in 2008.After returning to Japan, I soon began making the film and completed it in four months.This film is based on a very simple idea: the increasingly varied the sounds, the greater is the number of creatures. I wanted to rid myself of the frustrating experience of making Devour Dinner, which was highly unsatisfactory from the viewpoint of the movement in the film. My intention in this film was to fill the screen with chaotic movements.
The short film features Pyramid Head and a Lying Figure from Silent Hill 2, the Fukuro Lady, and many monsters from early sketches for Silent Hill 2. The film contains disturbing, surreal imagery.
When viewed from far away, life on Earth can seem meaningless. But when a star inhabits a dying girl, they experience the tragic beauty found at the moment when the light goes out.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Portrait of a catastrophe, these are times of fire.
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
The film was produced applying mixed techniques on Super 8 film support.
La Costante di Archimede
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.