Too Early to Be Quiet, Too Late to Sing

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Le verbe incendié

A peculiar portrait of the Argentinean writer Jorge Luis Borges (1899-1986) drawn by the extravagant and original look of the Spanish writer Fernando Arrabal, who establishes a bold parallelism between Borges' work and opinions and his own creations, both literary and cinematographic.

Sono Guido e non Guido

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

Dedicated to the poet Paul Celan, the film traces the itinerary of the deportation of Jews from Czernowitz and Bucovina to Mikhailovka camp on the banks of the river Bug during WW2. Among them was the poet’s mother.

Películas is the name of a poetry book by Luís Miguel Nava, a homosexual poet, born in Viseu, who died in Brussels and whose magnificent poetic work remains widely unknown. Drawn from the filmmaker’s family super8 film archive, and excerpts from the film Un chant d'amour, by Jean Genet, the film builds a “body” marked by memories, by various skins, by Nava's films, by his poems and by its landscapes.

Poet John Betjeman is shown visiting locations including Vauxhall Park, Aldersgate Street station, Camden Town and Hatfield, where he recites a handful of his poems.

This documentary is a chronicle of the journey through the most important sites of the life of venezuelan writer Francisco Massiani who reveals the details of his work and the love of his life.

This film is the story of a man’s lifelong search for authentic Yiddish folk music and of his unique archive, which was presumed to be lost forever. Moyshe Beregovsky, a musician and scholar, crisscrossed Ukraine with phonograph in hand during the most dramatic years of Soviet history in order to record and study the traditional music of Ukrainian Jewry. His work began in the 1920’s and led to his arrest and imprisonment in a Stalinist labor camp in 1950. Most of those he recorded on hundreds of fragile wax cylinders were shot by the Nazis and tossed into countless mass graves. Ultimately, Beregovsky succeeded in saving the musical heritage of the centuries-old Yiddish civilization. He rescued the Living Voice of his people from the flames of the Holocaust but paid for it with his life. With this introduction, Yelena Yakovich one of the leading Russian documentary film-makers, begins her latest work, Song Searcher.

"The Lady in the Book" is Sylvia Plath, a major author of 20th-century American poetry and a feminist icon following her sudden death at the age of thirty. This film offers a glimpse into her world and work, through encounters with women who live today in the places where she grew up.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.

This American Experience tells Whitman's life story, from his working-class childhood in Long Island, to his years as a newspaper reporter in Brooklyn when he struggled to support his impoverished family, then to his reckless pursuit of the attention and affection he craved for his work, to his death in 1892.

WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.

A documentary about the life and work of poet and visual artist Moacy Cirne.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Marco Paolini discusses with poet Andrea Zanzotto about nature, history and language.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.