Justice Redefined: Ukraine's Frontline Journalists

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

Leo Regan follows his friend, photographer Lanre Fehintola, as he tries to go cold turkey (detox) from heroin in his council flat and without medication.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

The film uniquely recounts the lives of workers at Ukraine's Chornobyl nuclear power plant, National Guard soldiers and residents of surrounding towns and villages. These have been at the epicenter of the Russian occupation since February 24, 2022. It's a film that shows how a thin line separates humanity from another nuclear catastrophe and how the fight for survival was on a "ticking bomb." Under the constant threat of shelling and rockets.

A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers.

Journalist David Farrier stumbles upon a mysterious tickling competition online. As he delves deeper he comes up against fierce resistance, but that doesn’t stop him getting to the bottom of a story stranger than fiction.

A comprehensive chronicle of the consequences of Russia's invasion of Ukraine in 2022. How citizens live in wartime, how violence and death condition daily life: from schools in bomb shelters to rehabilitation centers for the maimed; wounds and silences, gestures and words.

As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.

A direct call to take an active stand in defense of human rights, fearlessly denouncing their violation wherever they occur, through the testimonies of several war reporters, brave journalists who, with the most objective view possible, analyze the human condition: David Beriain and Sergio Caro in Afghanistan; Mikel Ayestaran in Iraq; Hernán Zin in the Democratic Republic of Congo; and Gervasio Sánchez in Bosnia and Herzegovina.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.

Under intense fire from the Russian forces, Ukrainian civilians-turned-soldiers document their first experiences on the battlefield using smartphones and cameras to show the do-or-die reality of war.

Dedicated to the Children of Ukraine, victims of the brutal Russian invasion...Let everyone ask themselves and the leaders of their countries: what else has to happen, what arguments are needed that Ukraine is finally given the necessary military aid for Victory?

"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.

An unblinking look at the questionable journalistic ethics involved in publishing North America's only satirical magazine, the film also explores the need for an independent, alternative view that exposes the mis-conduct of business leaders, journalists, celebrities, and politicians.

Accommodated since Algeria's Bloody Decade of the 1990’s in the "House of the Press", the journalists of the famous daily newspaper El Watan await the completion of their new offices, a symbol of their independence. My camera is embedded in their newsroom as they follow the events of this new Algerian spring... President Bouteflika has set his sights on a 4th term. Beyond what we call the Arab revolutions and other mediatized terms, I wanted this film to serve as a memorial to the women and men, young and less young, who battle daily to safeguard the freedom of information in a politically and socially fossilized country.

When American Peter Duke joined a convoy from Estonia to Kyiv to deliver critical aid to Ukrainian troops, he unexpectedly discovered a country echoing the spirit and unity of America's birth in 1776. Duke witnessed the people involved in this struggle up close revealing remarkable acts of selflessness and purpose that transcended borders and politics. It changed his perception of the conflict and himself. He returned home, impassioned and determined to do more. He shared his story with his friend Keith Ori, and it ignited a mission purpose for them both!

The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.