Outfoxed: Rupert Murdoch's War on Journalism

‘911 and the British Broadcasting Conspiracy’ features ex-MI5 officer David Shayler and was produced by Adrian Connock, who was also responsible for the ‘Mind the Gap’ documentary that exposed the false flag terrorist attacks of 7/7/05. Special attention has been paid to the BBC’s ‘Conspiracy Files’ programme which aired on BBC 2, February 18th 2007 and omitted hardcore evidence proving 9/11 was an inside job. ‘911 and the British Broadcasting Conspiracy’ demolishes the weak attempt by the BBC to cover up the truth behind 9/11 and exposes their foreknowledge of the collapse of WTC building 7, when they reported the event 20 minutes before the building came down.

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.

Summer 1936 - The Berlin Olympics, organized by the Nazi regime on the eve of World War II, acted as a grand showcase for a Germany that was athletic, peaceful and rejuvenated. The violence and hate that until then had reigned in the streets of Berlin suddenly vanished. Adolf Hitler became the triumphant host of European countries he would soon try to invade or face in a deadly global conflict.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

The film MISS REPRESENTATION exposes how American youth are being sold the concept that women and girls’ value lies in their youth, beauty and sexuality. Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman. It’s time to break that cycle of mistruths.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

The isolated, hermit kingdom of the DPRK is shrouded in secrecy, It's nearly impossible to get any reliable information from behind the bamboo curtain. Nonetheless, every week, on T.V. and online, we are bombarded by the bizarre media-spectacle of North Korea. From nuclear apocalypse and prison camps to banned sarcasm and compulsory identical haircuts - any shred of information regarding North Korea becomes a viral media hit, regardless of how dubious the story is. But that's all about to change. Two Aussie boys decided to take matters into their own hands and go to North Korea to find out the truth for themselves. Join us as we look past the click-bait and unpack the forces behind the way our media represents the "Democratic People's Republic of North Korea".

A documentary on the marketing of pop culture to Teenagers.

An examination of Kubrick’s ‘A Clockwork Orange’ on Camera 3 (1972)

This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

Chronicle of publisher Gene Pope Jr.'s celebrity gossip and scandal fused vision, which became The National Enquirer, America's most notorious tabloid.

In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.

"Bias" challenges us to confront our hidden biases and understand what we risk when we follow our gut. Through exposing her own biases, award-winning documentary filmmaker Robin Hauser highlights the nature of implicit bias, the grip it holds on our social and professional lives, and what it will take to induce change.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

In the most dangerous country in the world for journalists, Newsweek Middle East editor, Janine di Giovanni, risks it all to bear witness, ensuring that the world knows about the suffering of the Syrian people.

More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.

American television programming dominates around the world at the expense of regional cultural voices.

RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.

From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.