Claude Dilain, de la banlieue au Sénat. Au nom de la République

Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Ivan, first tsar of Russia. History will remember him as "the Terrible. Russian people love him for centuries. He liberates Russia from foreign oppressors, demands absolute obedience and loyalty in order to radically modernise Russia? Ivan IV, Grand Duke of Moscow, first Tsar of Russia by the grace of God. A madman? A sadist?

Sur les pas de Robespierre

Loran, a filmmaker from the notorious suburb Gottsunda, grapples with the desire to move away but is torn by loyalty to his childhood friends who lead a criminal life. "G" marks Loran's farewell to Gottsunda but completing the film in a changed community tests his sense of belonging and identity.

We follow the story of The Thinker bombing at the Cleveland Museum of Art, trying to solve the mystery behind it because no one was ever caught. By following this case, we unravel the whole landscape of Cleveland and the USA in the 60s/70s - student protests, social justice movements, anti-war movements, and radical militant groups. We give a context to the bombing, which is symbolic on so many levels - it's an art piece that randomly became a target for political violence that, by being left unrepaired, became a reminder of the complicated history of the 60s/70s. The Thinker is a silent witness to this fascinating decade, looking down from his pedestal, still thinking about our place in the world as humans.

Andreas Gabalier – 10 Jahre Volks-Rock'n'Roller: Das Portrait

A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.

Portrait of photographer Bengt Åke Kimbré where he narrates his own life story accompanied by his photographs.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Between 1990 and 1993, at a time when rap was not yet on the radio in France, Olivier Cachin hosted a musical TV show on M6 called "RapLine". The show exclusively devoted to rap and other alternative music. This cult show presented all the facets of these emerging movements through interviews, lives and clips made especially for the show, around fifty clips were produced by RapLine. Another sequence of the show consisted of broadcasting new US rap clips subtitled in French.

Il mio nome è Battaglia

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

Join filmmaking duo Chris Hegedus and Nick Doob as their cameras follow Franken to book signings, campaign rallies and the launch of Air America Radio, documenting his transformation from irreverent funnyman to political pundit.

Sankara

A documentary about Who's Emma, a collective of punks and anarchists that existed in Toronto's Kensington Market from 1996 to 2000.

In this film, Paul Tomkowicz, Polish-born Canadian, talks about his job and his life in Canada. He compares his new life in the city of Winnipeg to the life he knew in Poland, marvelling at the freedom Canadians enjoy. In winter the rail-switches on streetcar tracks in Winnipeg froze and jammed with freezing mud and snow. Keeping them clean, whatever the weather, was the job of the switchman.

One Meter of Democracy (2010) challenged the endurance of viewers, as well as the courage of the artist. In a quasi-democratic process, He Yunchang invited approximately 20 friends to vote in a secret ballot on whether he should have a surgeon cut a one metre incision the length of his body, from collar bone to knee, without anaesthesia. The vote was carried by a narrow majority, with several abstaining. The performance was documented in video and photographs that reveal the emotional cost of witnessing this gruelling event. This work, sometimes also known as ‘Asking the Tiger for its Skin’ was also staged on a symbolic date: 10 October 2010 was the 99th anniversary of the Wuchang uprising and the Xinhai Revolution which led to the fall of the Qing Dynasty and the establishment of the Republic of China. The final image shows the group with sombre, shocked faces.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Valomanden