Je ne sais pas si c'est tout le monde
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.
Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.
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Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.
About the nurses who used their professional skills to murder the handicapped, mentally ill and infirm at the behest of the Third Reich and directly participated in genocide.
Asta and Søren are not a couple. They're not friends with benefits either, and they’re definitely not pen pals with benefits. So, at the end of the day, what are they? With a single camera setup, the viewer is given access to a private space.
In Salt Lake City, Utah, seven Mormons live their lives a little differently. The men (Jeff, Pret & Curtis) are attracted to their wives (Tanya, Megan & Tera), but they are also attracted to other men. They refer to it as Same Sex Attraction...not gay, SSA.
A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.
A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.
A short kid from a Canadian army base becomes the international pop culture darling of the 1980s—only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease?
Christian Kjærs sidste vilje
Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.
A Finnish documentary follows four young men who have one year to find new love in Helsinki.
Carmen's life has been a quixotic comedy; surviving the war, becoming a nun, getting divorced in a conservative society, and having numerous lovers, always defying the rules. Now, at 86, she is planning her suicide. The film follows her final days, exploring her bond with her adopted son, as well as her journey to face death on her own terms.
Released from prison, former oil oligarch Mikhail Khodorkovsky expounds on his newfound freedom and complex relationship with Vladimir Putin.
Four people seek a more sustainable and secure future by asking the question: "What is it really like to build and live in a tiny house?"
It seems like two disparate realms. One occupied by some of the most acclaimed dancers in the world, people who move for a living. The other occupied by people who often struggle to move, people who have Parkinson's disease. This is the story of what happens when those worlds intersect. We followed individuals with Parkinson's as they prepared to stage a first ever dance performance, under the tutelage of two long time dancers at the Mark Morris Dance Group. It's a story about determination, adversity, contending with doubt, the transformative power of art and the strength of the human spirit. This is the story of a remarkable community of dancers who have come together to rediscover the meaning of grace.
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