Everything's Fine

For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.

She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.

Landscapes, things, men, women and children taken by an "evil eye" more than a century ago haunt the present in this jagged reverie. A persona voicelessly narrates, via captions, going through colonial photographs, digresses to eating fruit and entering a cave on a tropical vacation island.

Filmmaker Abraham Ravett attempts to reconcile issues in his life as the child of a Holocaust survivor in this experimental non-narrative film. Ravett reflects upon his relationships with his family, from his now-deceased father (who survived both the Lodz Ghetto and Auschwitz) to his own young children. He utilizes family photographs and film footage, archival film footage from the Ghetto Fighters' House in Israel, cell animation by Emily Hubley, and computer graphics to create a film about memory, death, and what critic Bruce Jenkins calls "the power of the photographic image and sound to resurrect the past."

A journey into the 1920s and 1930s featuring restored and edited home movies taken by Japanese American immigrant pioneers.

Film is about communication. Kobrin pays homage to Vasili Nalimov, to his work and life. Nalimov was a mathematician and philosopher, but was also an eccentric anarchist with mystic tendencies who spent eighteen years in a concentration camp. Nalimov’s philosophy relies on probabilistic methods in the natural and social sciences and applies them to the study of language and consciousness.

Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.

After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.

She's been around for so many decades but hasn't aged a day. She's had more than 180 different jobs; she's been president, she's been to the moon, and she's done all the things that women aspire to do. She has a massive closet, and thousands of different outfits. Barbie is way more than just a 12-inches long piece of plastic, she is way more than a toy. The legendary blond bombshell has grown into a phenomenon and a children's sensation. Wildly revolutionary, Barbie broke barriers, shattered glass ceilings, and has inspired countless dreams, wonder and imagination, with her signature color: Pink. The history of the doll is a testament to its enduring appeal and impact. Things have changed for her the same way things changed for women. Whatever we may think about Barbie - love or loathe her - it is impossible to ignore her worldwide impact. Let's step into the beautiful world of Barbie and take a look at her cultural revolution through the decades.

“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).

Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.

AEOLUS

Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

Apollo 11 : Retour vers la lune

A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.

Standing shots of different sad gravestones depicting the hopelessness of life.

In the heart of Western Macedonia, where the fading sounds of a disappearing dialect echo, lies "мала чешма" ("Small Spring"). This documentary constitutes a personal reflection on the cultural heritage of the area and the connection to it. As the narrative unfolds, a local shares personal excerpts from the history during the years of the civil war in the region. Each element becomes a vessel of memory and reference, capturing the essence of a place on the brink of transformation. Every drop of water and every stone hide a story awaiting narration in a historically charged landscape.

After the death of my only brother I found rolls of undeveloped film. This documentary is a reenactment of those stills and an exploration of the aspects of my brother's life that I didn't know.

Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.