Carmina Burana: Dancing in Defiance

Set in Paris, the story concentrates on the romantic triangle involving cabaret singer Liane, bon vivant Tony and petty crook Jean.

Everything changes in P's haunting life when he comes across a peculiar being dancing in the middle of a forest.

Originally set in the 15th century, Tchaikovsky's "The Enchantress" is updated to the present day in this innovative production. The charismatic, emancipated Nastasya, who rejects the advances of the devious Mamïrov, duly faces the implacable forces of traditional values in a society riven by divisions between liberal freedoms and religious orthodoxies. The tragic outcome engulfs everyone...

Lang Lang returned to China in 2005-2006 for an eight-city concert and to record the Dragon Songs album. This documentary of Lang Lang's China visit offers an intimate portrait of the pianist giving masterclasses, surrounded by fans, at home with his family, and on the road.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Sheikh Imam Mohammad Ahmad Eissa, born 1918, is famous throughout the Arab world for his folk songs indicting the ruling classes. Considered the voice of the oppressed, he is banned from state television and radio, and has been imprisoned numerous times, including in 1974 for the occasion of President Nixon’s visit. With scenes of Egyptian street life set to his often caustic musical criticisms of his native Egypt’s upper classes, the Sheikh’s message is that “If a beautiful thing is suppressed today, it will rise tomorrow.”

Big eyes, big ears, a big nose and a big tail – look out for Wolf! Join Maddie, Nigel and the Woodland Keepers with Northern Ballet for the colourful tale of Little Red Riding Hood.

At a music academy, veteran Professor Victor faces challenges as he prepares to conduct his final concert with a choir of children who lack passion for music. The arrival of the academy director complicates matters, and Victor learns of his dismissal just before the performance. Determined to overcome adversity, Victor, with the help of former student Angelica and the child Albert, manages to lead the choir to a heartfelt performance, rekindling their connection with music.

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

As a patriarchal family yearns for the birth of a son to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for its transgender starlet.

The King Cole Trio and Ida James perform the title song in this Soundie.

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

After not receiving in his house the pressed sandwich that he had requested, a mentally instable young boy feels obligated to commit heinous acts.

BalletBoyz are back with two new works. Set to contrasting scores by Charlotte Harding and Keaton Henson, Them/Us is an inventive double bill asking where we see ourselves in relation to the “other,” and explores the fine balance between them and us.

A bored estate lawyer spots a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.

A woman in her daily life at home. A ballerina practicing her art. Realities mix in a remembrance of an irretrievable time.

American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.