Tarantino: kill Is Love

A visual essay that highlights top-down shots from Wes Anderson's filmography.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass.

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.

A supercut of television’s The First 48. (Aaron Valdez)

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

In a countryside of Philippines, where people die everyday without having a local clinic, a foreign doctor's office in wheels help people for thirty years. Nuga (Luke) Park cares for patients in the moment he is terminally ill. What we see in his dedication and support in his missionary is love. This is the story of his love that would heal.

The testimony of an artist who continues to believe in the socialist ideal. The story of a man who loves women.

A journey through the complex web of African-Chinese relations. The economic, political and cultural future of globalisation is taking shape. The dominant force behind these processes is no longer Europe.

Documentary about human impact on the world.

Mother's Balls portrays Amber Vineyard, an American living in Amsterdam, founder of the first Dutch ballroom house House of Vineyard.

Documentary about a new mom's quest to understand and promote the cargo bike movement in a gas-powered, digital and divided world.

This short film focuses on how racehorses are trained.

Barrage and Bunker is an essay film about the (narrative) space imagined by fiction films. Reflections and associations about movement in space are the basis of every kind of story-telling. The film is sometimes referred to as part of Bitomsky's Cinema Trilogy. Sequences from over 20 movies are quoted and commented on by a team of three "researchers" (Bitomsky, Petzold, Tanner) in a sort of laboratory. TV-monitors, production stills and screenshots are used as well as quotations from books. A long night's work.

One of the first film noir documentaries, made for British Channel Four, and including interviews with Paul Schrader, Robert Wise, John Dahl, Bryan Singer, Edward Dmytryk, Dennis Hopper, John Alton.