Scorsese: The Mirrors

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

A raw exploration of unmerciful violence, defining the essence of Tarantino's cinematic world.

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.

A supercut of television’s The First 48. (Aaron Valdez)

SM Entertainment girl group aespa launched their first worldwide tour SYNK: HYPER LINE in 2023. For the Japan leg of the tour, the girls held 12 concerts including shows in Osaka, Saitama, Nagoya and Tokyo. This release features full recordings of two aespa performances at Saitama Super Arena in April and Tokyo Dome in June!

In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.

Filmed over ten years, INHERITANCE immerses audiences in a family of love, struggle, and hope as experienced through the eyes and ears of one boy, Curtis, and five generations of his extended family. Grandma and family matriarch, Cheryl, guides audiences into Curtis' world. Leaving boyhood, but not his family, behind, Curtis moves toward an uncertain future.

Documentary about Andrea Molaioli's film La Ragazza del Lago.

Documentary taking a look at the making of Scrapbook (2000).

Charts the remarkable rise of Australian basketball, following the real stories of the players and coaches responsible for the sport's ascendancy, and the events that changed Australian basketball forever.

This documentary tells the story of the making of Irving Berlin's Easter Parade.

A look at Dan and John's partnership and the music

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.