Veselé paničky windsorské

The beautiful Francisquita is in love with Fernando, a student who aspires to become a poet; but he is infatuated with the very fiery actress Aurora la Beltrana, who is Lorenzo's lover.

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm. It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.

Rohovín Čtverrohý

Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.

Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.

Vlasta Burian appears in a town of Czarist Russia impersonating an Inspector General, and he is entertained lavishly by the local political-hacks and peasants seeking his favor for whatever they are advocating or need fixed. Burain is involved in a series of comical situations as he takes everything he can gets his hands on while the peasants, who must plead for the betterment of their conditions, are left on the outside-looking-in. He makes his escape just as the real Inspector General is set to appear, but those-in-need will be no better off when the real McCoy shows up then they were with Burian.

A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.

Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?

Film about the fictitious adventures of Franz Freiherr von Trenck, who lived during the times of empress Maria Theresia of Austria garnished with espionage and twisted love affairs.

Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Franklin Shepard is a talented Broadway composer who abandons his theater career and all his friends in New York in order to produce films in Los Angeles. The story begins at the height of his Hollywood fame and moves backwards in time, showing snapshots of the most important moments in Frank’s life that shaped the man he is today.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.