Medvěd
Giuseppe Verdi: Aida
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.
Lieutenant Patera, who unfortunately became involved in a scandalous affair in the highest circles of the Habsburg monarchy, is transferred from his sentence to the backwater garrison in Munich.
The film is about a slightly crazy botany professor Ducánek, who is so busy with his scientific experiments that he has completely forgotten that he is married. Neither his housekeeper Veronika nor his friend Potužník knew about the existence of his capricious wife, the operetta diva Lucy. However, when his wife returns home after seven years in remorse, Ducánek takes a complicated action to elegantly get rid of his wife...
A pair of circus clowns, played by Vlasta Burian and Jaroslav Marvan, take in an abandoned child and care for them even when they have to make a living as street musicians. The grateful foundling loves his adoptive parents even in adulthood, when he struggles with both love and stolen loot that accidentally falls into their laps. However, the result is only a crudely sentimental comedy that is considered one of the weakest works of the king of comedians, although he also participated in the direction.
Postman Brabec is a welcome guest of the revue theatre for his sense of humor, and he brings his director Holt letters from female admirers every day. Holt's fans include Brabec's sister Anny. The girl would like to join the theatre, but for the time being works as a maid for the actress Velden. A new revue is being rehearsed, the name of the author is secret. Veldenová will return the role just before the premiere because she doesn't like it. The quick-witted Brabec introduces the director to his sister, who knows all the parts by heart.
Madame Sans-Gène
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
The process of fraudulent seizure of the inheritance left to a minor Russian girl in a case led by an Islamic judge.
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?
Film about the fictitious adventures of Franz Freiherr von Trenck, who lived during the times of empress Maria Theresia of Austria garnished with espionage and twisted love affairs.
Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.
The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
In Gack's house, someone is constantly robbing him of bread and pastries. The main suspect, according to Lopušný, is his companion Belák. The farce ends with Gacek being punished, Lopušný and Belák being compensated and reconciled with the rich thief. The main storyline of the farce Pytač consists of the fourfold transformation of the landowner Dobši, his wife Pľuta and his daughter Matilda, who is about to be married off.
Bankinghouse Khuwich and Comp.
Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.