Veselé paničky windsorské

Jamie New is 16 and doesn’t quite fit in—instead of pursuing a "real" career he dreams of becoming a drag queen. Uncertain about his future, Jamie knows one thing for sure: he is going to be a sensation. Supported by his loving mom and his amazing friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.

In the final hours of April 14, 1912, the RMS Titanic, on her maiden voyage from Southampton to New York, collided with an iceberg and ‘the unsinkable ship’ slowly sank. It was one of the most tragic disasters of the 20th Century. Fifteen hundred seventeen men, women, and children lost their lives.

When Ireland's most notorious amateur sports star becomes the first man in history to fail a test for PEDs, he agrees to coach the country's worst team in order to try and rebuild his shattered reputation.

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

Ten lost souls slip in and out of one another's arms in a daisy-chained musical exploration of love's bittersweet embrace. A film adaptation of Michael John LaChiusa's celebrated musical, originally based on Arthur Schnitzler's play, La Ronde.

A group of late 19th century German teenagers – silenced and controlled by a censorious society – discover a new world of feeling and freedom outside the classroom, with beautiful and devastating consequences.

Film about the fictitious adventures of Franz Freiherr von Trenck, who lived during the times of empress Maria Theresia of Austria garnished with espionage and twisted love affairs.

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

The story of Goldilocks, Sleeping Beauty, Krejcik in an enchanted castle and the skirmishes of the animals with the robbers of Petrov.

A routine check-up reveals that the Pilates trainer Kathrin is suffering from kidney disease and needs a transplant. Her husband Arnold is a successful architect in the middle of a large project and is afraid of donating one of his kidneys. Götz, a friend of the couple's, would undergo the operation immediately if it means saving Kathrin's life - even though this causes problems with his partner Diana. Confronted by issues of life and death, the fragility of the relationships within and between the couples is laid bare. Eventually, the question can no longer be avoided: what is true love?

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Singer Ann wants back her money that the manager of a big-band has embezzled.

Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.

It's an event that draws many thousands of music lovers to one of the most beautiful cities in the world every summer: the opera season at the ancient Arena di Verona. The 2,000-year-old roman amphiteatre with its gigantic stage dimensions is one of the largest and best preserved Roman construction of its kind, and with over 22,000 seats it is undoubtedly one of the most spectacular open-air venues of the world! The revered master of opera Franco Zeffirelli, who died shortly before the premiere of Il Trovatore, created a legendary scenery with groups of giant sized armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses, breathtaking fights: “his perhaps best arena production” (Opernglas). It brings Anna Netrebko to the Arena of Verona where she is giving her much-anticipated debut in one of Giuseppe Verdi’s most popular operas.