Veselé paničky windsorské

Two journalists and a photographer are sent to stake out a woman's house and told not to return without a story. When the woman shows no sign of appearing, they take matters into their own hands.

Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.

Verdi-Requiem mit Riccardo Muti

Giacomo Meyerbeer - Les Huguenots (Die Hugenotten)

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.

A new adaptation of the classic musical about a pair of big city gamblers place a bet on whether one guy can convince a wholesome, pious woman to join him on a weekend island rendezvous.

Richard Strauss - Ariadne Auf Naxos

Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.

Morálka paní Dulské

A celebrated new production of Puccini’s La fanciulla del West from the Vienna State opera featuring Jonas Kaufmann and Nina Stemme. Staged by Marco Arturo Marelli, who sets it in a modern-day mining village, with the feel of a gritty modern drama, during the American gold rush of 1849. An unlikely setting for an Italian opera, but one that has a happy ending. It tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit, sung by two contemporary great singers: Nina Stemme and Jonas Kaufmann. A new production from Marco Arturo Marelli brought one of Puccini’s rarely performed works to the Vienna State Opera stage in September 2013. Jonas Kaufmann in his role debut as the wanted and notorious bandit Ramerrez proves ideally cast, full of power, with his breathtakingly beautiful baritone timbre.

A mythical performance from la Monnaie - Bruxelles. Parsifal is a strange and enigmatic work. At the end of his life, did Wagner wish to celebrate asceticism, which he himself had never practised? Did he fall upon his knees before the Cross, as claimed by Nietzsche? And what does the secret society of knights based on pure blood signify, desperately waiting for the saviour to regenerate it? What is the true nature of the opposition between the worlds of Klingsor and the Grail? What can Parsifal tell us today? In his artistic will and testament, Wagner condenses his moral idea of the world and returns to the roots of love and religion - to the very heart of art according to him. With the participation of conductor Hartmut Haenchen who is passionated by the score, Italian stage director Romeo Castellucci proposes an original reading of this brilliant work and explores the essence of Wagnerian ‘Kunstreligion’ in a different light.

Wagner's tale of the struggle between spiritual and profane love, and of redemption through love, is given a radical visual update in Sebastian Baumgarten's controversial yet thought-provoking Bayreuth production. Joep van Lieshout's giant installation 'The Technocrat'; dominates the stage, its industrial interior giving credence to the idea that Tannhäuser is one big experiment and playing host to some magnificent performances, among them Torsten Kerl's robust interpretation of the title role and Camilla Nylund's wonderfully empathetic Elisabeth. Recorded live at the Bayreuth Festspiele, August 2014.

When Written on Skin had its premiere at the 2012 Festival d'Aix-en-Provence, conducted by George Benjamin himself, it received a standing ovation. The opera's arrival at Covent Garden in 2013 was eagerly anticipated, and provided audiences with the opportunity to experience the work of two of Britain's greatest living artists. Benjamin previously collaborated with playwright Martin Crimp on Into the Little Hill, a magical retelling of the Pied Piper fairytale, and for this new work they joined forces with acclaimed stage director Katie Mitchell. For all three, the production marked their main-stage debut at the Royal Opera House. The tale, inspired by a medieval legend, tells of an ill-fated troubadour, drawn into a liaison with an innocent maiden. But they are observed by the jealous eye of her protector, who wreaks a shocking revenge on the young couple. Written on Skin draws on a 12th-century Occitan legend about the troubadour Guillaume de Cabestanh.

The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc. The Konzertvereinigung Wiener Staatsopernchor lends added musical accompaniment, under the baton of Daniel Barenboim.

Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovsky’s Pique Dame, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of ‘the three cards’ from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelona’s Liceu captures St Petersburg in the era of Catherine the Great, while the house’s Music Director Michael Boder conducts a large and impressive cast. Recorded at the Gran Teatre del Liceu, Barcelona, 30th June & 1st July 2010.

Alexandre Tarta's production of Berlioz's opera, recorded live at the Salzburg Festival in 2000. Sylvain Cambreling conducts, with performances by Jon Villars, Russell Braun and Tigran Martirossian.