An intimate portrait of a unique sportswoman in extreme life roles. Mother of three adopted children, world and European champion in fitness and record holder on long distances throughout Slovakia. Soňa Kopčoková is a former professional fitness athlete with the titles of World and European Champion. After the end of her elite sporting career, she devoted herself fully to her family until she discovered that she loves long-distance running in the mountains. And so today she fulfils her dreams in the hills, running often only by herself... On June 16, 2021, she reached Devín after 11 days, 15 hours and 30 minutes in a new Slovak women's record on the SNP Heroes' Route route. From Dukla to Bratislava, she ran alone, without support and with only a single backpack where she carried everything, she needed to survive...
“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.
In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.
An Unreasonable Man is a 2006 documentary film that traces the life and career of political activist Ralph Nader, the founder of modern consumer protection. The film examines Nader's advocacy for auto safety features, such as federally mandated seat belts and air bags, as well as his rise to national prominence following an invasion of privacy lawsuit against General Motors.
Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.
Swedish writer Stig Dagerman (1923-1954) was a literary sensation who after a few productive years, suddenly fell silent. Struggling with writer's block, Dagerman wrote the essay "Our Need for Consolation" about his inner demons and his quest for freedom. For the first time in English, featuring Stellan Skarsgard as an on-camera narrator, this film brings Dagerman's powerful words to life in the form of a visual poem.
Filmed during Jonas Mekas’s travels in 1981, this short captures scenes from Stockholm. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).
Filmed during Jonas Mekas’s travels through Italy in 1967, this short captures scenes from the country’s cities and countryside. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).
In L.A.’s Boyle Heights neighborhood, local activists and members of the art community clash over the fate of a beloved neighborhood.
Filmed during Jonas Mekas’s visit to Assisi in 1967, this short documents his time in the city known for its spiritual associations. The footage was later incorporated into his 2003 compilation film Travel Songs (1967–1981).
Natalie Portman reflects on how she was cast in the film Léon: The Professional (1994) at such a young age.
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
The found-footage short film OVERWORK offers a personal reinterpretation of a collection of instructional 16mm films from the German Employment Agency.
People-watching across lower Manhattan.
"Get a never-before-seen look behind the scenes of the making of the sexy and swinging sci-fi Cult classic, Barbarella, in Barbarella Forever. In Barbarella, sixties icon Jane Fonda starred as the saucy astronaut from the 41st century sent to stop an evil scientist and Barbarella Forever features footage of Fonda at work and play during shooting. Gain an insight into the creation of the film’s legendary hand-to-hand sex scene, as well as Fonda and co-star David Hemmings’ processes and working relationship, plus, an insight into the film’s suave French director Roger Vadim. This candid featurette is a snapshot of on and off-set life in groovy 1967 and an unforgettable time capsule capturing a film, and way of filmmaking, that they don’t make like this anymore!"
An insider's look into Francis Ford Coppola's latest Live Cinema project, Distant Vision.
The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.
A personal history of France, told through photos by French photographer Denise Bellon.
A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.