The Men Who Made the Movies: Samuel Fuller

In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before. Featuring never-before-seen archival footage, newly discovered journals, and interviews with Mary Karr, Tommy Lee Jones, Hilton Als, and more.

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

Documentary from French TV channel Canal+ about Marion Cotillard's road to the Oscar for her performance as French singer Édith Piaf in the 2007 film 'La Vie en Rose', also featuring behind-the-scenes footage from the film.

Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.

Debra Hill's documentary tells the story of her multifaceted life and of inspiring filmmakers around the world, and her legacy as a creative producer, mentor, film pioneer and activist is an enduring one.

With this two-part feature documentary, Shlomi Elkabetz shares a poignant love letter to his sister, the late actress and director Ronit Elkabetz, and delivers a rare cinematic experience.

During the Vietnam War, the US bombed Laos more heavily than any other country had been bombed before. Today, the Lao people live among, and risk their lives to clear, over 80 million unexploded bombs on their doorsteps. With great beauty and empathy, this documentary reveals the unbelievable stories of the men and women at the forefront of this monumental task.

A Documentary film exploring the history and evolution of vinyl records. Featuring Interviews with the experts, musicians and fans alike, 'Stuck in the groove' takes you on a journey of vinyl-mania, music and nostalgia.

...E Continuano a mangiare Fagioli

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

Filmmaker Liam Le Guillou seeks out an occult curse to an answer to the question "is magic real?", forcing him to question the nature of reality and belief in this dangerous, never-before-seen, dark social experiment.