Boys without a home

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.

In 2023, there were an estimated 30.6 thousand homeless people. This number continues to rise at an alarming rate. One of them is the headstrong Ruurdt. He has difficulty getting help and cannot adapt well to our society. He is now also in danger of losing the houseboat that was assigned to him. 'Ruurdt' is an intimate portrait of a man on the fringes of our society.

Through the eyes of a young drifter who rejects society's rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.

Der Stoff, aus dem Träume sind

Les Enfants de la Bonne Mère : Rue d'Aubagne

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

The Meaning of Vanlife is an adventurous, revealing look into the Vanlife community through the eyes of nomads who have chosen to live a life of freedom on the road. A movement that exemplifies a deeper societal trend towards minimalism and authentic community building.

In 2008, feature documentary, The Oasis, shocked Australia with its gritty insight into the lives of homeless teens at a notorious youth refuge in inner city Sydney. An outpouring of social and political goodwill followed, with the then Prime Minister pledging to halve homelessness by 2020. A decade later, with social inequality and homelessness worse than ever, the original participants reflect on where their lives have taken them.

THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

ABEPSS 70 anos

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

There are at least seven thousand children and adolescents wandering the streets of Morocco's economic capital. Sold by their parents, abused, beaten, or abandoned, they struggle to survive. Since 1995, the Bayti association has been fighting to reintegrate these sacrificed children and give them a second chance.

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

Intimate true stories from St Kilda's Gatwick Private Hotel. Meet the incredible characters including sisters Rose and Yvette who dedicated their lives to caring for the forgotten.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.